| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Reverse Side Protection of Paintings - Test Results and Suggestions for a Model
Ingo Sandner*, Hans-Peter Schramm, Anja Schaft
|
Structural Restoration of Paintings on Canvas |
1993 Washington DC |
Paper |
| 2 |
Stress-strain behavior of gelatin, sturgeon glue, and methylcellulose at fluctuating relative humidity
Karolina Soppa*, Stefan Zumbühl
|
Paintings |
2023 Valencia |
Paper |
| 3 |
Johann Evangelist Holzer's ceiling painting in the pilgrimage church of St. Antony, Garmisch-Partenkirchen
Jiirgen Pursche*
|
Mural paintings, mosaics and rock art |
1999 Lyon |
Paper |
| 4 |
Changing perceptions, changing curricula: Developments in the restoration program at the Academy of Fine Arts Vienna during the 20th century
Sigrid Eyb-Green*, Catherine Bouvier, Magdalena Schindler, Wolfgang Baatz
|
Theory, History, and Ethics of Conservation |
2023 Valencia |
Paper |
| 5 |
Protection of Stained-Glass Windows – Case Studies in Poland
Manfred Torge *, Michael Bu¨cker, Erhard Drachenberg, Wolfgang Mu¨ller, Ulrich Schaaf
|
Glass and Ceramics |
2016 Wroclaw |
Paper |
| 6 |
YCP Glass-induced metal corrosion: study and conservation of an enamelled altarpiece (1954-1956) of the collection of the University of Applied Arts Vienna.
Maria Holzleitner*, Maria Holzleitner, Eva Putzgruber, Marta Anghelone, Gabriela Krist
|
Metals |
2019 Neuchâtel |
Paper |
| 7 |
The deterioration and conservation of porous building materials in monuments. A literature review. Supplement 1981
T.Stambolov*, J.R.J. van Asperen de Boer
|
Stone |
1981 Ottawa |
Paper |
| 8 |
Joining Broken Wax Fragments: Testing Tensile Strength of Adhesives on Fragile and Non-polar Substrates
Andrea Fischer*
|
Ethnographic Collections |
2011 Lisbon |
Paper |
| 9 |
Formative conservation
Chris Caple*
|
Training in Conservation and Restoration |
1999 Lyon |
Paper |
| 10 |
L'empaquetage avec de la baudruche pour réassembler les portraits miniatures après traitement
Carmen Krisai-Chizzola*
|
Paintings I: Conservation and restoration of paintings |
1999 Lyon |
Paper |
| 11 |
Softwoods, tendons, double grounds: Panel supports for painting in late medieval Nuremberg
Beate Fuecker*, Katja von Baum, Lisa Eckstein
|
Paintings |
2017 Copenhagen |
Paper |
| 12 |
Adhesion and penetration of Sturgeon glue and Gelatines with different Bloom grades
Karolina Soppa*, Christoph Krekel, Margaux Genton, Thuja Seidel, Tilly Laaser
|
Paintings |
2014 Melbourne |
Paper |
| 13 |
Research into the history of conservation-restoration: Remarks on relevance and method
Mireille te Marvelde*
|
Theory and history of conservation-restoration |
1999 Lyon |
Paper |
| 14 |
Unexpectedly experimental: Oskar Zwintscher’s working process
Monika Kammer *, Andreas Dehmer
|
Art Technological Source Research |
2022 Paris |
Ext. Abstract |
| 15 |
X-Ray Computer Tomography (Xct) In Wood Conservation
Achim Unger*, Jens Perleberg
|
Scientific Examination of Works of Art |
1987 Sydney |
Paper |
| 16 |
Dry methylcellulose foams: Investigation of simple foaming and drying methods for applications in the field of conservation and restoration
Sophie Bunz*, Karolina Soppa, Magdalena Ritler, Nadim Scherrer, Stefanie Bründler
|
Scientific Research |
2023 Valencia |
Paper |
| 17 |
´Ajami - rooms – polychrome wooden interior decorations from Syria of the 17th to the 19th centuries: a view into art technology and conservation problems
Anke Scharrahs*
|
Sculpture, Polychromy, and Architectural Decoration |
2008 New Delhi |
Paper |
| 18 |
Challenges in conserving archaeological chrome-tanned waterlogged leathers with a cellulose nitrate finish: A case study of two leather coats from the Nazi Era
Mayumi Matsukawa*, Tracy Niepold, Andrea Funck, Anna Micheluz, Stephanie Dietz
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Paper |
| 19 |
The preservation of metalwork in the Kathmandu Valley: Reflections on past and current practices
Susanne Gänsicke*, Nutandhar Sharma
|
Metals |
2021 Beijing |
Paper |
| 20 |
The historical situation of picture relining in Vienna
Detlev Kreidl*
|
Structural Restoration of Canvas Paintings |
1978 Zagreb |
Paper |
| 21 |
A Conservation Method for W aterlogged W ood Using a Sucrose-Mannitol Mixture
András Morgós*, Setsuo Imazu
|
Wet Organic Archaeological Materials |
1993 Washington DC |
Paper |
| 22 |
Decay of limestone blocks in the block fields of Karnak Temple (Egypt): Non-destructive damage analysis and control of consolidation treatments
Stefan Simon*, Anne-Marie Lind
|
Stone |
1999 Lyon |
Paper |
| 23 |
Chemical changes in curing and ageing oil paints
Jorrit D. J. van den Berg*, Klaas Jan van den Berg, Jaap J. Boon
|
Scientific methods of examination of works of art |
1999 Lyon |
Paper |
| 24 |
A Basic Bibliography of Conservation
H.C. von Imhoff*, R.L. Feller
|
Not assigned |
1978 Zagreb |
Paper |
| 25 |
Conservation of the bas reliefs at Angkor Wat temple in Cambodia: Research, practice, training
Hans Leisen*, Esther von Plehwe-Leisen
|
Stone |
1999 Lyon |
Paper |