ICOM-CC Publications Online

Advanced search

Found 249 results for ""
1 2 3 4 5 6 ... 10
# Title Working Group Year/Venue Paper/poster
1 'A drop or two': Late medieval recipes on the use of resins and varnishes in paints
Indra Kneepkens*
Art Technological Source Research 2017 Copenhagen Poster
2 'Of only modest artistic quality': Reconsidering the significance of firm ecclesiastical wall painting in England, 1845–1920
Elizabeth Woolley*
Murals, Stone, and Rock Art 2017 Copenhagen Paper
3 "More than a pure technical sensation": Twentieth-century metallic paints, their formulations, and use in paintings
Maria Kokkori*, Ken Sutherland, Johanna Salvant, Francesca Casadio, Julie Barten, Carol Stringari
Art Technological Source Research 2017 Copenhagen Paper
4 (S)watch it! Identifying, replicating, and restoring the original color of di Suvero’s K-piece
Nikki van Basten*, Susanne Kensche, Lydia Beerkens
Modern Materials and Contemporary Art 2017 Copenhagen Paper
5 A behaviour index for complex artworks: A conceptual tool for contemporary art conservation
Sanneke Stigter*
Modern Materials and Contemporary Art 2017 Copenhagen Paper
6 A bottom-up and mixed-methods approach to understanding visitors’ perceptions of dust, dirt and cleaning
Catherine Dillon*, Dr Stavroula Golfomitsou, Flavia Ravaioli, Cymbeline Storey , Catherine Tully, Graeme McArthur, Katy Lithgow
Preventive Conservation 2017 Copenhagen Paper
7 A cape for the Buddha. Notes on Pipilotti Rist’s Himalaya Goldsteins Stube
Irene Glanzer*, Andreas Weisser
Modern Materials and Contemporary Art 2017 Copenhagen Paper
8 A comparison of ethanol and methanol vapour treatments for reshaping birch bark
Carole Dignard*, Season Tse, Sonia Kata, Jennifer Poulin
Objects from Indigenous and World Cultures 2017 Copenhagen Paper
9 A l’usage des artistes peintres' (Blockx 1881)? Audience and readership of historical recipe books, 1550–1900
Maartje Stols-Witlox*
Art Technological Source Research 2017 Copenhagen Poster
10 A materials- and values-based approach to the conservation of fashion
Sarah Scaturro*
Theory and History of Conservation 2017 Copenhagen Paper
11 A modern approach to dismantling and redisplaying a historic blue whale skeleton
Arianna Bernucci*, Lorraine Cornish, Cheryl Lynn
Natural History Collections 2017 Copenhagen Paper
12 A reality check for microfade testing: Five examples
Bruce Ford*, Bruce Ford, Nichola Smith
Preventive Conservation 2017 Copenhagen Paper
13 A role for bespoke codes of ethics
Jonathan Ashley-Smith*
Theory and History of Conservation 2017 Copenhagen Paper
14 A sticky situation: A different method for removing adhesive from an early 17th-century carpet
Julia Carlson*
Textiles 2017 Copenhagen Paper
15 A taste of pearl: (Re)discovering a modern lead white in PMMA sculptures
Sara Babo*, Eva M. Angelin, Joana L. Ferreira, Maria J. Melo
Scientific Research 2017 Copenhagen Poster
16 Accessioning and documentation of Pretty much every film and video work from about 1992 until now
Stephanie de Roemer*, Tarn Brown
Modern Materials and Contemporary Art 2017 Copenhagen Paper
17 Adhesive removal using gels for the conservation treatment of the valances of a Queen Anne throne canopy
Viola Nicastro*, Maria Jordan, Ian Gibb
Textiles 2017 Copenhagen Paper
18 AF9590, a yellow coffin from the Louvre Museum: Analytical methodology developed within the Vatican Coffin Project
Lucile Brunel-Duverger*, Victoria Asensi Amoros, Laurent Binet, Hélène Guichard, Elsa Lambert, Juliette Langlois, Anne Maigret, Patricia Rigault-Déon, Sandrine Pagès-Camagna, Nancy Brodie-Linder
Sculpture, Polychromy, and Architectural Decoration 2017 Copenhagen Poster
19 Aluminium artefacts in heritage collections: Conservation of surface finishes and aspects
Michaela Florescu*, Anne Genachte-Le Bail, Aurélia Azéma, Annick Texier
Metals 2017 Copenhagen Poster
20 An axial rotation device for documenting King Tutankhamun’s decorated sticks
Ahmed Abdrabou*, Eman Nabil, Medhat Abdallah
Documentation 2017 Copenhagen Poster
21 An evaluation of the teaching and learning of reflective practice at the Centre for Textile Conservation, University of Glasgow
Sarah Foskett*, Karen Thompson
Education and Training in Conservation 2017 Copenhagen Paper
22 An examination of blue faience libation vessels from the tomb of Tutankhamun
Eid Mertah*, Ibraheem Salah, Mohamed abdelrahman, Yasunori Matsuda
Ceramics 2017 Copenhagen Poster
23 An in situ non-invasive study of paint layers on Early Netherlandish paintings: New insights into the paintings’ history by portable CXRF
Katharina Müller*, Babette Hartwieg, Sandra Stelzig s., Ina Reiche
Scientific Research 2017 Copenhagen Paper
24 An investigation into the lightfastness of metal-complex solvent dyes for use in the restoration of faded mammal taxidermy
Julia Sybalsky*, Lisa Elkin, Judith Levinson, Fran Ritchie, Paul Whitmore
Natural History Collections 2017 Copenhagen Paper
25 An investigation of options for surface cleaning unvarnished water-sensitive oil paints based on recent developments for acrylic paints
Bronwyn Ormsby*, Jae Youn Chung, Aviva Burnstock, Klaas Jan van den Berg, Judith Lee
Paintings 2017 Copenhagen Paper
1 2 3 4 5 6 ... 10