| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
'A drop or two': Late medieval recipes on the use of resins and varnishes in paints
Indra Kneepkens*
|
Art Technological Source Research |
2017 Copenhagen |
Poster |
| 2 |
'Of only modest artistic quality': Reconsidering the significance of firm ecclesiastical wall painting in England, 1845–1920
Elizabeth Woolley*
|
Murals, Stone, and Rock Art |
2017 Copenhagen |
Paper |
| 3 |
"More than a pure technical sensation": Twentieth-century metallic paints, their formulations, and use in paintings
Maria Kokkori*, Ken Sutherland, Johanna Salvant, Francesca Casadio, Julie Barten, Carol Stringari
|
Art Technological Source Research |
2017 Copenhagen |
Paper |
| 4 |
(S)watch it! Identifying, replicating, and restoring the original color of di Suvero’s K-piece
Nikki van Basten*, Susanne Kensche, Lydia Beerkens
|
Modern Materials and Contemporary Art |
2017 Copenhagen |
Paper |
| 5 |
A behaviour index for complex artworks: A conceptual tool for contemporary art conservation
Sanneke Stigter*
|
Modern Materials and Contemporary Art |
2017 Copenhagen |
Paper |
| 6 |
A bottom-up and mixed-methods approach to understanding visitors’ perceptions of dust, dirt and cleaning
Catherine Dillon*, Dr Stavroula Golfomitsou, Flavia Ravaioli, Cymbeline Storey , Catherine Tully, Graeme McArthur, Katy Lithgow
|
Preventive Conservation |
2017 Copenhagen |
Paper |
| 7 |
A cape for the Buddha. Notes on Pipilotti Rist’s Himalaya Goldsteins Stube
Irene Glanzer*, Andreas Weisser
|
Modern Materials and Contemporary Art |
2017 Copenhagen |
Paper |
| 8 |
A comparison of ethanol and methanol vapour treatments for reshaping birch bark
Carole Dignard*, Season Tse, Sonia Kata, Jennifer Poulin
|
Objects from Indigenous and World Cultures |
2017 Copenhagen |
Paper |
| 9 |
A l’usage des artistes peintres' (Blockx 1881)? Audience and readership of historical recipe books, 1550–1900
Maartje Stols-Witlox*
|
Art Technological Source Research |
2017 Copenhagen |
Poster |
| 10 |
A materials- and values-based approach to the conservation of fashion
Sarah Scaturro*
|
Theory and History of Conservation |
2017 Copenhagen |
Paper |
| 11 |
A modern approach to dismantling and redisplaying a historic blue whale skeleton
Arianna Bernucci*, Lorraine Cornish, Cheryl Lynn
|
Natural History Collections |
2017 Copenhagen |
Paper |
| 12 |
A reality check for microfade testing: Five examples
Bruce Ford*, Bruce Ford, Nichola Smith
|
Preventive Conservation |
2017 Copenhagen |
Paper |
| 13 |
A role for bespoke codes of ethics
Jonathan Ashley-Smith*
|
Theory and History of Conservation |
2017 Copenhagen |
Paper |
| 14 |
A sticky situation: A different method for removing adhesive from an early 17th-century carpet
Julia Carlson*
|
Textiles |
2017 Copenhagen |
Paper |
| 15 |
A taste of pearl: (Re)discovering a modern lead white in PMMA sculptures
Sara Babo*, Eva M. Angelin, Joana L. Ferreira, Maria J. Melo
|
Scientific Research |
2017 Copenhagen |
Poster |
| 16 |
Accessioning and documentation of Pretty much every film and video work from about 1992 until now
Stephanie de Roemer*, Tarn Brown
|
Modern Materials and Contemporary Art |
2017 Copenhagen |
Paper |
| 17 |
Adhesive removal using gels for the conservation treatment of the valances of a Queen Anne throne canopy
Viola Nicastro*, Maria Jordan, Ian Gibb
|
Textiles |
2017 Copenhagen |
Paper |
| 18 |
AF9590, a yellow coffin from the Louvre Museum: Analytical methodology developed within the Vatican Coffin Project
Lucile Brunel-Duverger*, Victoria Asensi Amoros, Laurent Binet, Hélène Guichard, Elsa Lambert, Juliette Langlois, Anne Maigret, Patricia Rigault-Déon, Sandrine Pagès-Camagna, Nancy Brodie-Linder
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Poster |
| 19 |
Aluminium artefacts in heritage collections: Conservation of surface finishes and aspects
Michaela Florescu*, Anne Genachte-Le Bail, Aurélia Azéma, Annick Texier
|
Metals |
2017 Copenhagen |
Poster |
| 20 |
An axial rotation device for documenting King Tutankhamun’s decorated sticks
Ahmed Abdrabou*, Eman Nabil, Medhat Abdallah
|
Documentation |
2017 Copenhagen |
Poster |
| 21 |
An evaluation of the teaching and learning of reflective practice at the Centre for Textile Conservation, University of Glasgow
Sarah Foskett*, Karen Thompson
|
Education and Training in Conservation |
2017 Copenhagen |
Paper |
| 22 |
An examination of blue faience libation vessels from the tomb of Tutankhamun
Eid Mertah*, Ibraheem Salah, Mohamed abdelrahman, Yasunori Matsuda
|
Ceramics |
2017 Copenhagen |
Poster |
| 23 |
An in situ non-invasive study of paint layers on Early Netherlandish paintings: New insights into the paintings’ history by portable CXRF
Katharina Müller*, Babette Hartwieg, Sandra Stelzig s., Ina Reiche
|
Scientific Research |
2017 Copenhagen |
Paper |
| 24 |
An investigation into the lightfastness of metal-complex solvent dyes for use in the restoration of faded mammal taxidermy
Julia Sybalsky*, Lisa Elkin, Judith Levinson, Fran Ritchie, Paul Whitmore
|
Natural History Collections |
2017 Copenhagen |
Paper |
| 25 |
An investigation of options for surface cleaning unvarnished water-sensitive oil paints based on recent developments for acrylic paints
Bronwyn Ormsby*, Jae Youn Chung, Aviva Burnstock, Klaas Jan van den Berg, Judith Lee
|
Paintings |
2017 Copenhagen |
Paper |