| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
A characterization of photo linen: Defining an atypical silver gelatine developing-out material
Kayleigh Kunst-van der Gulik*, Clara Waldthausen
|
Photographic Materials |
2023 Valencia |
Paper |
| 2 |
Reviewing processes, relaxing parameters: On-collection climate research at the Kunstsammlung Nordrhein-Westfalen
Nina Quabeck*
|
Preventive Conservation |
2023 Valencia |
Paper |
| 3 |
Packaging systems for paintings: damping capacity in relation to transport induced shock and vibration
Nathalie Baeschlin*
|
Paintings |
2014 Melbourne |
Paper |
| 4 |
The Digitale Kunstpforte: an interdisciplinary online platform for art technological source research and experimental reconstruction
Anne Krauter*, Franca Mader
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 5 |
Zur Restaurierung von zwei grossen, vielgestaltiegen Kunstwerken
K.W. Bachmann*
|
Polychromed Sculpture |
1972 Madrid |
Paper |
| 6 |
Theorie und Geschichte der Restaurierung
Heinz Althöfer*
|
Theory and History of Restoration |
1975 Venice |
Paper |
| 7 |
The Burgundian and/or Venetian Enamelled Silver Objects of the 15th Century in the Kunsthistorisches Museum in Vienna: A Report of an Interdisciplinary Research Project
Manfred Schreiner*, Raleigh Belcher, Wolfgang Baatz
|
Not assigned |
1993 Washington DC |
Poster |
| 8 |
Is it useful to restore paintings? Aspects of a 1928 discussion on restoration in Germany and Austria
Michael von der Goltz*
|
Theory and history of conservation-restoration |
1999 Lyon |
Paper |
| 9 |
Nouveaux Problemes de Conervation Poses par les Techniques de l'art Moderne
Wolfgang Hahn*
|
20th Century Paintings |
1972 Madrid |
Paper |
| 10 |
Displaying Styrian Interiors in Graz. Karl Lacher and his Pioneering Concept of Period Rooms
Valentin Delic *
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 11 |
Varnish technology during the 17th and 18th centuries: The introduction of shellac for wood coatings
Stefan Zumbühl*, Christophe Zindel
|
Art Technological Source Research |
2023 Valencia |
Paper |
| 12 |
The State of Professionalism in Restoration in the 1930s in Germany
Michael von der Goltz*
|
Theory and history of restoration |
1996 Edinburgh |
Paper |
| 13 |
Reverse Side Protection of Paintings - Test Results and Suggestions for a Model
Ingo Sandner*, Hans-Peter Schramm, Anja Schaft
|
Structural Restoration of Paintings on Canvas |
1993 Washington DC |
Paper |
| 14 |
Forgotten artistic techniques – art technological reconstruction as a part of conservation education
Monika Kammer*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 15 |
The "Alhambra Cupola" in the Museum for Islamic Art in Berlin History, Current Conservation Challenges and New Prospects
Julia Gonnella *, Anne Mollenhauer, Jutta Maria Schwed
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 16 |
The blue wall reliefs by Yves Klein in the Gelsenkirchen Music Theater (1957–1959): Examination of materials and creative process
Rabea Blasczyk*, Gunnar Heydenreich, Nelly Paletta
|
Modern Materials and Contemporary Art |
2023 Valencia |
Paper |
| 17 |
The Temple of Love (Liebestempel): A Baroque Table Centerpiece by J. J. Kaendler
Sabine Maurischat *
|
Glass and Ceramics |
2016 Wroclaw |
Paper |
| 18 |
The Byzantine treatise About the Highly Esteemed and Famous Art of the Goldsmith: a multidisciplinary approach
Sayuri de Zilva*, Josef Engelmann, Erica Hanning, Stephan Patscher
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 19 |
On the Occurrence of Red Dyestuffs in Textile Materials from the Period 1450-1600
Judith H. Hofenk-de Graaff*, Wilma G. Th. Roelofs
|
Not assigned |
1972 Madrid |
Paper |
| 20 |
Investigation, monitoring, and treatment of a so-far unknown surface phenomenon developing on objects in newly installed state‑of‑the‑art showcases
Sabine Stanek*, Vaclav Pitthard, Johanna Diehl, Helene Hanzer, Martina Griesser
|
Scientific Research |
2017 Copenhagen |
Poster |
| 21 |
The Reanimation of a Renaissance Automaton: "Diana and Stag" at the Museum of Fine Arts, Boston
Susanne Gänsicke*, Rolf Lang
|
Metal |
2022 Helsinki |
Paper |
| 22 |
Optimising the protection of the Kröller-Müller Museum’s wax-resin-lined van Gogh paintings from shocks and vibrations in transit
Kerstin Kracht*, Madeleine Bisschoff, Margje Leeuwestein
|
Preventive Conservation |
2023 Valencia |
Paper |
| 23 |
A Matter of Choice: Acrylic Copolymer or Epoxy Resin Adhesives? Studying Glass Conservation at the Stuttgart State Academy of Art and Design
Andrea Fischer*, Birgit Schwahn;Katja Franziska Siebel
|
Glass and Ceramics |
2022 Lisbon |
Paper |
| 24 |
Jan van Dijk, an 18th-century Restorer of Paintings
Mireille Maria te Marvelde*
|
Theory and history of restoration |
1996 Edinburgh |
Paper |
| 25 |
Geschichte der Entdeckung der mittelalterlichen Russischen Malerei in den archivalischen Sammlungen Anfang des XX. Jahrhunderts
G. Vzdornov*
|
Theory and History of Restoration |
1975 Venice |
Paper |