| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Forgotten artistic techniques – art technological reconstruction as a part of conservation education
Monika Kammer*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 2 |
Dry methylcellulose foams: Investigation of simple foaming and drying methods for applications in the field of conservation and restoration
Sophie Bunz*, Karolina Soppa, Magdalena Ritler, Nadim Scherrer, Stefanie Bründler
|
Scientific Research |
2023 Valencia |
Paper |
| 3 |
The Eremitage of the Neuer Garten in Potsdam – Investigation of the Interior Panelling
Gerald Grajcarek *
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Ext. Abstract |
| 4 |
Opto-technical monitoring and hygrothermal simulation of cultural heritage as a tool for identifying critical climate change-related relative humidity values inside buildings
Kristina Holl*, Leander Pallas, Martin Krus, Paul Bellendorf, Thomas Löther
|
Preventive Conservation |
2023 Valencia |
Paper |
| 5 |
Decontamination of ethnological objects with supercritical carbon dioxide
Helene Tello*, Achim Unger, Frank Gockel, Erich Jelen
|
Ethnographic Collections |
2005 The Hague |
Paper |
| 6 |
Sulfur, the ‘Enemy of Copper’: Replication of Sulfurous Efflorescence on Copper-Based Heritage Materials with Elemental Sulfur
Gerhard Eggert*, Charlotte F. Kuhn-Wawrzinek, Thomas Schleid
|
Metal |
2022 Helsinki |
Paper |
| 7 |
Stress-strain behavior of gelatin, sturgeon glue, and methylcellulose at fluctuating relative humidity
Karolina Soppa*, Stefan Zumbühl
|
Paintings |
2023 Valencia |
Paper |
| 8 |
Prevention, breakage, care: anticipating damage in Medieval art technology
Jan M. van Daal*
|
Art Technological Source Research |
2022 Paris |
Paper |
| 9 |
An extensive treatment of a complex object: Preparing a gilt leather wall hanging for the National Museum’s new permanent display
Marie Kleivane*, Vilde Marie Dalåsen, Kathrin Guthmann
|
Leather and Related Materials |
2022 The Netherlands |
Paper |
| 10 |
YCP–Commercially Available Vacuum Chambers as an Alternative in the Deoxygenated Desalination Treatment of Archaeological Iron
Aleksi Pienimäki*
|
Metal |
2022 Helsinki |
Paper |
| 11 |
The potential of microorganisms for the conservation-restoration of iron artworks
Lucrezia Comensoli*, Comensoli Lucrezia, Kooli Wafa, Monachon Mathilde, Albini Monica, Junier Pilar, Joseph Edith
|
Metals |
2019 Neuchâtel |
Paper |
| 12 |
Acrylic Barrier Surface Coatings for Epoxy Resin Adhesive Bonds in Glass Conservation: Evaluation of Bond Strength and Reversibility
Schuck, Thea *, Fischer, Andrea; Schwahn, Birgit
|
Glass and Ceramics |
2019 London |
Paper |
| 13 |
X-Ray Computer Tomography (Xct) In Wood Conservation
Achim Unger*, Jens Perleberg
|
Scientific Examination of Works of Art |
1987 Sydney |
Paper |
| 14 |
Mould Attack! – Assessment of dry cleaning methods for the decontamination of leather
Lisa Masen*, Stefanie Scheerer
|
Leather and Related Materials |
2014 Melbourne |
Paper |
| 15 |
A Matter of Choice: Acrylic Copolymer or Epoxy Resin Adhesives? Studying Glass Conservation at the Stuttgart State Academy of Art and Design
Andrea Fischer*, Birgit Schwahn;Katja Franziska Siebel
|
Glass and Ceramics |
2022 Lisbon |
Paper |
| 16 |
How do pigment recipes demonstrate their author’s technical and artistic know-how? Brazilwood colour recipes from the twelfth to fifteenth centuries
Anne Servais*
|
Art Technological Source Research |
2022 Paris |
Paper |
| 17 |
Varnish technology during the 17th and 18th centuries: The introduction of shellac for wood coatings
Stefan Zumbühl*, Christophe Zindel
|
Art Technological Source Research |
2023 Valencia |
Paper |
| 18 |
Scientific Examination and Conservation of Ethnographical Objects; The Situation at the Ethnological Museum in Vienna
Wilhelm P. Bauer*
|
Not assigned |
1972 Madrid |
Paper |
| 19 |
Salvage and restoration of gilt leather wall hangings from Löwenburg castle, Kassel, Germany, 2013 - 2022
Jana Bösenberg*, Anna Siegel
|
Leather and Related Materials |
2022 The Netherlands |
Paper |
| 20 |
Challenges in conserving archaeological chrome-tanned waterlogged leathers with a cellulose nitrate finish: A case study of two leather coats from the Nazi Era
Mayumi Matsukawa*, Tracy Niepold, Andrea Funck, Anna Micheluz, Stephanie Dietz
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Paper |
| 21 |
Leafcasting parchment documents degraded by mould
Andrea Pataki*, Kerstin Forstmeyer, Andrea Giovannini
|
Graphic Documents |
2002 Rio de Janeiro |
Paper |
| 22 |
Günter Weseler’s Breathing Object – Bringing it back to life
Tannar Ruuben*, Veera López-Lehto, Viivi Vierinen, Ilona Jaaranen, Saskia Raitala
|
Modern Materials and Contemporary Art |
2017 Copenhagen |
Paper |
| 23 |
The ICCROM Forum on Conservation Science 2013: a collaborative partnership for strategic thinking
Alison Heritage*, catherine antomarchi, Cécilia Anuzet, Erika Andersson
|
Theory and History of Conservation |
2014 Melbourne |
Paper |