| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
A literature study on Borromée’s Bases: paint products from the late 19th century designed to withstand poor environmental conditions
Claire Bételu*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 2 |
A Picasso papier collé of 1913: using realia as documentary sources to reveal changes in appearance and to re-enact the artist’s process
Joyce Townsend*, Charity Fox
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 3 |
Art and techniques of the stuccatori: understanding through replication
Giacinta Jean*, Alberto Felici, Giovanni Nicoli, Marta Caroselli, Stefania Luppichini
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 4 |
Back to Aniline Black: reconstruction of an early 20th-century textile printing recipe with white resist and indigo
Marc Holly*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 5 |
Forgotten artistic techniques – art technological reconstruction as a part of conservation education
Monika Kammer*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 6 |
From synthetic organic pigments to tube paints: Royal Talens’ business activities in relation to its pigment suppliers in the interbellum
Rika Pause*, Matthijs de Keijzer, Klaas Jan van den Berg
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 7 |
How to paint a trade union banner: the role of sources and reconstructions in the characterisation of George Kenning’s banners in Glasgow Museums
Daniel Sánchez Villavicencio*, Christina Young, Karen Thompson
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 8 |
Recipe analysis, reconstruction, and re-enactment: historical technological sources on the cleaning of easel paintings
Joana Devesa*, Leslie Carlyle, Maartje Stols-Witlox, Jaap J. Boon, Ana Luisa Fernando, Stefan Zumbu¨hl, Susana Franc¸a de Sa´
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 9 |
Studying art technological texts at the University of Amsterdam: a short course for MA-students in art conservation
Herman den Otter*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 10 |
Surprise findings and infinite doubt: dealing with subjectivity in art technological reconstructions
Indra Kneepkens*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 11 |
Tangled threads: Reflection on historical recipes for folium purple dye
Paula Nabais*, Maria Joa~o Melo, Mark Clarke
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 12 |
The Byzantine treatise About the Highly Esteemed and Famous Art of the Goldsmith: a multidisciplinary approach
Sayuri de Zilva*, Josef Engelmann, Erica Hanning, Stephan Patscher
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 13 |
The colour of moving images: a documentary study of Winsor & Newton 19th-century watercolours used to paint glass slides for magic lanterns
Ângela Santos*, Vanessa Otero, Ma´rcia Vilarigues
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 14 |
The Digitale Kunstpforte: an interdisciplinary online platform for art technological source research and experimental reconstruction
Anne Krauter*, Franca Mader
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 15 |
Trial and error: a replica to replace a damaged component in a work by László Moholy-Nagy
Friederike Waentig*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 16 |
Winsor & Newton’s 19th century bitumen brown oil paint. Part I: a critical analysis of W&N production records
Raquel Marques *, Leslie Carlyle, Laurence De Viguerie, Isabel Pombo Cardoso, Jaap J Boon
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 17 |
Winsor & Newton’s 19th century bitumen brown oil paint. Part II: the reconstruction
Raquel Marques *, Leslie Carlyle, Laurence De Viguerie, Isabel Pombo Cardoso, Jaap J Boon
|
Art Technological Source Research |
2019 Cologne |
Paper |