# |
Title |
Working Group |
Year/Venue |
Paper/poster |
1 |
A Peculiar Association of Structural Construction and Polychromy from the Eighteenth Century. Our Lady of Immaculate Conception, Sacristy of Church Madre De Deus, Museum of Azulejos, Lisbon
Aude Cochet *, Elsa Murta
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
2 |
A Sixteenth Century Tabernacle in Flanders with Non-Flemish Sgraffito Decorations
Stefanie Litjens *
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
3 |
A Study of Two Sets of Portuguese Miniature High-Reliefs
Agnès Le Gac*, Teresa Madeira, Camila Remonatto, Isabel Nogueira,Anísio Franco, Maria Luisa De Carvalho
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
4 |
Applied-Brocade in the Altarpiece of the Coronation of the Virgin of Errenteria, Basque Country
Maria Barrio Olano*, Ion Berasain Salvarredi
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
5 |
Campos Polychrome Technique of the Antequeran Sculptor Andrés de Carvajal.
José González López *, Beatriz Prado Campos
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
6 |
Changes in Original Decor
Ana Mascarenhas *, Carla Rego
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
7 |
Decorative Techniques. All Ways to Embellish and Worship God
Elsa Murta *
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
8 |
From Treaty To Gilding Practice: Documentation On Techniques, Materials And Decorative Processes In The Context Of Portuguese Gilded Woodcarving (Talha Dourada)
Lia Jorge *, Patricia Monteiro
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
9 |
Integrated Innovative Study of the Polychrome Decoration of a Czech Medieval Statue Entitled the Mourning of Christ
Stepanka Kuckova*, Irina Sandu, Michaela Crhova, Radovan Hynek, Igor Fogas, Vania Muralha, Andrei Sandu
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
10 |
Materials And Techniques. Contribution for the Characterisation of Regional Production of Baroque Polychrome Sculptures. A Case Study
Maria Oliveira*, Elsa Murta, António Candeias, Ana Cardoso, Luís Dias, Teresa Ferreira, José Mirão & Cristina Dias Estofado
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
11 |
Polychrome Coatings on a Lime Plaster Altarpiece (1571): The Gaspar Fragoso Chapel in Portalegre
Patricia Monteiro *
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
12 |
Polychromy in Modern Italian Sculpture. New Perspectives and Case Studies of Works by Marino Marini and Leoncillo Leonardi
Francesco Guzzetti *
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
13 |
Proposal for an Analytical Methodology to Study Gilded Woodcarving Techniques and Materials
Rita Veiga*, Irina Sandu, Tito. Busani, Manuel Costa Pereira, Solange Muralha, Nuno Leal, Stepanka Kuckova, António Mauricio
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
14 |
Structural Modification of an Altarpiece towards its Preservation
Frederico Matos*, Ana Calvo, Carolina Barata
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
15 |
Study and Conservation of a Polychrome Terracotta Sculpture from the Casa-Museu José Régio Collection. A First Step Towards the Characterisation of the Barros De Portalegre Sculptures
Francesca Paba*, Claudia Falcão, Paola Meloni, Gianfranco Carcangiu Ricardo Triães, João Coroado
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
16 |
Study of the Decoration of the Polychrome Wooden Sculpture of Our Lady from the Church of Figueiró Dos Vinhos, Leiria, Portugal
Ana Rosa Carita*, Margarida Manarte, Carla Rego
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
17 |
The Catalan Romanesque Altar Frontal with Sculptural Relief from Sant Pere de Ripoll, Spain
Marina Mascarella-Vilageliu *, Anna Nualart-Torroja
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
18 |
The Creative Process Revealed. The Role of Incisions, High-Relief Decoration and Polychromy in the Gothic Altar Frontal Belonging to Sant Llorenç De Morunys
Rosa Senserrich*, Anna Nualart, Jordi Ibáñez-Insa
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
19 |
The Crucified Bom Jesus De Matosinhos. Technical Study and Conservation of a Medieval Sculpture
Alexandre Maniés*, Carolina Barata, Ana Calvo
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
20 |
The Crucified Christ from the National Museum of Soares Dos Reis. Study and Interpretation
Alexandre Fernandes*, Salomé De Carvalho, Elsa Murta, António Candeias, Maria Oliveira, Luis Piorro, Lilia Esteves
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
21 |
The Discovery of the Painted Decoration of the Jacobean Chimneypieces of Apethorpe Hall, Northamptonshire, UK (c.1624)
Helen Hughes *
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
22 |
The Influence of Decorative Motifs Used in Alentejo Architecture on the Decoration of the Sculpture Anjo Custódio De Portugal
Ana Fonseca*, Carla Rego, Teresa Desterro
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |
23 |
The Materials and Making Process of the Relief Painting Technique of ‘Applied-Brocade’ in the Basque Country
Ainhoa Rodriguez*, Naryan Khandekar, Fernando Bazeta, María Teresa Escohotado
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
24 |
The Role of Stone Substrate in Oil Paint Film Stability. An Insight Into Some Issues Influencing Durability and Conservation
Elena Aguado-Guardiola *, Laura Fuster-López
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
25 |
The Study of the Polychromy of the Pórtico de la Gloria, Cathedral of Santiago de Compostela, Spain.
Ana Laborde Marqueze*, Rocío Sánchez Ameijeiras, Andrés Sánchez Ledesma
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Ext. Abstract |