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# Title Working Group Year/Venue Paper/poster
1 ´Ajami - rooms – polychrome wooden interior decorations from Syria of the 17th to the 19th centuries: a view into art technology and conservation problems
Anke Scharrahs*
Sculpture, Polychromy, and Architectural Decoration 2008 New Delhi Paper
2 3D ESPI measurement of the strain fields introduced by strip-lining paintings
Christina Young *, Manjit Debashis
Paintings 2008 New Delhi Poster
3 A Canadian Aboriginal approach to the conservation of cultural property at the Canadian Museum of Civilization
John Moses *
Legal issues in conservation 2008 New Delhi Paper
4 A centralized and overarching organization of collection policy, conservation and restoration and the position of the textile restorer in this context
Elsje Janssen*
Textiles 2008 New Delhi Paper
5 A comparison of light-induced damage under common museum illuminants
David Saunders*, Jo Kirby
Preventive Conservation 2008 New Delhi Paper
6 A handbook of preventive conservation in Bhutan (Himalayas)
Sabine Cotte*, David Nock
Education and Training in Conservation 2008 New Delhi Paper
7 A novel technique for the photography of daylight fluorescent artwork
Elizabeth Hinde*, Petronella Nel
Modern materials and contemporary art 2008 New Delhi Paper
8 A Persian carpet’s paradise garden: discovering historical and technical aspects through carpet conservation and restoration
M M Sousa*, E Armindo, M J Melo, Jessica Hallett
Textiles 2008 New Delhi Paper
9 A practical collaborative approach for long-term displays
Mary-Jane Tsang*, Maria Blyzinsky
Preventive Conservation 2008 New Delhi Paper
10 A preliminary investigation of digital inkjet printing on sheer fabrics for textile conservation
Jan Vuori*, Nancy Britton
Textiles 2008 New Delhi Paper
11 A preliminary understanding of the behaviour of oil paintings in tropical Southeast Asia
Nicole Tse*, Robyn Sloggett, Ann Roberts
Paintings 2008 New Delhi Paper
12 A procedure for the efficient and simultaneous analysis of Asian and European lacquers in furniture of mixed origin
Arlen Heginbotham*, Herant Khanjian, Rachel Rivenc, Michael Schilling
Wood, Furniture, and Lacquer 2008 New Delhi Paper
13 A protocol of analysis for the classification of painting techniques applied to brocades of the altarpieces of Gipuzkoa
Ainhoa Rodríguez-López*, Narayan Khandekar, Katherine Eremin, Richard Newman
Paintings 2008 New Delhi Paper
14 A scientific evaluation of surface cleaning acrylic emulsion paintings
Bronwyn Ormsby*, Patricia Smithen, Frank Hoogland, Costanza Miliani, Tom Learner
Scientific research 2008 New Delhi Paper
15 A semi-automatic system for the non-contact ‘fingerprinting’ of objects of art and cultural heritage
W Wei*, V Bakker, A Lagana, J Frohn, A Walther, G Wiora, M Weber, S Goodall, K Martinez, S. Sotiropoulou
Legal issues in conservation 2008 New Delhi Paper
16 A string of beads unbroken: continuity and collaboration in an exhibition of Iroquois beadwork
Anne MacKay*
Ethnographic Collections 2008 New Delhi Paper
17 A summary and evaluation of 15 years research, practice and experience with lactitol methods developed for the conservation of waterlogged, degraded archaeological wood
András Morgós*, Setsuo Imazu, Koji Ito
Wet organic archaeological materials 2008 New Delhi Paper
18 A tensile testing method for monocotyledon leaves with parallel venation
Mark Sandy*, Louise Bacon
Ethnographic Collections 2008 New Delhi Paper
19 A Tibetan polychrome domestic altar and four six-panel cabinets: materials analysis, implications for dating, and conservation treatment
Beth Price*, Sally Malenka, Ken Sutherland, Katherine Cuffari, Katherine Paul, Anne Kingery, Xian Zhang
Sculpture, Polychromy, and Architectural Decoration 2008 New Delhi Paper
20 Activities of the Users’ Group for Mass Spectrometry and Chromatography (MaSC)
Christopher Maines*, Ester Ferreira, Catherine Higgitt, Ken Sutherland, Klaas Jan van den Berg
Scientific research 2008 New Delhi Poster
21 Addressing cultural diversity: challenges, meaning and consequences
Sanjay Dhar*
Theory and History of Conservation 2008 New Delhi Paper
22 An English Renaissance: the development and delivery of the Renaissance At Work programme
Simon Cane*, Jane Thompson Webb
Education and Training in Conservation 2008 New Delhi Paper
23 An exhibition of photographs on a shoestring budget – some challenges and innovations
S Girikumar*
Photographic materials 2008 New Delhi Paper
24 An extended investigation of the influence of oxygen on color fading
Vincent Beltran*, Jim Druzik, Shin Maekawa
Preventive Conservation 2008 New Delhi Poster
25 An investigation into the staining of ceramics from aged shellac repairs
Marie Svoboda*, Konstantina Tsatsouli, Charlotte W Eng
Ceramics 2008 New Delhi Paper
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