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# Title Working Group Year/Venue Paper/poster
1 A Conservation Laboratory for the Treatment of Underwater Material
C. Pearson*, E.J. Car
Underwater Archaeology 1972 Madrid Paper
2 A new kind of old green copper pigments found
E.H. Van 't Hul-Ehrnreich*, P.B. Hallebeek
Not assigned 1972 Madrid Paper
3 A Nineteenth Century Collection of Pigments and Painting Materials
E.L. Richter*
Pigments in Painting 1972 Madrid Paper
4 A Proposal for the Establishment of Fine Arts Radiographie Centers
Mary Lou White*
Reference Materials 1972 Madrid Paper
5 A proposed Punch Card System for Classification of Early Varnish Recipes
J. Plesters*
Not assigned 1972 Madrid Paper
6 Action de trois traitements de desinfection sur des peaux de veau, mouton et chèvre tannees vegetalement
Francoise Flieder*, Clair Chahine
Not assigned 1972 Madrid Paper
7 Activite chimique des sels solubles sur les materiaux poreux de construction
José Maria Cabrera Garrido*
Not assigned 1972 Madrid Paper
8 Algunos problemas sobre la Restauracion y Conservacion de Libros y Documentos
Vicente Vinas Torner*
Not assigned 1972 Madrid Paper
9 Alteration Microbiologiques des Pierres
Claude Jaton*
Not assigned 1972 Madrid Paper
10 An Aid for the Analysis of Binding Materials and Natural Dyestuffs from Works of Art
Wilma G.Th. Roelofs*
Not assigned 1972 Madrid Paper
11 Analysis of Creep Curves on Lining Canvas
W. Conti*, E. Tassenari
Stretchers and Lining 1972 Madrid Paper
12 Analysis of Organic Substances in Ancient Mural Paintings
F. Guidobaldi*
Not assigned 1972 Madrid Paper
13 Analytical Problems in a Museum Laboratory (non-ferrous metal artifacts)
Hanna Jedrezejewska*
Not assigned 1972 Madrid Paper
14 Application des Materiaux Polymeres pour la Fixation de la couche Picturale des Fresques et de la Peinture Murale en Detrempe a la Colle.
A.V. Ivanova*
Not assigned 1972 Madrid Paper
15 Application des Nouvelles Methodes de la Microscopie Electronique clans les Recherches Topographiques de la Pierre
M. Kranz*
Not assigned 1972 Madrid Paper
16 Application des Phenomenes Optiques a la Restauration des Peintures.
Sylvaine Brans*
21st Century Paintings 1972 Madrid Paper
17 Artificial Ageing of yarns in Presence as well as in Absence of light and under different Atmospheric Conditions. IV.
Jentina E. Leene*, L. Demeny, R.J. Elema, IR. A.J. De Graaf, J.j. Surtel
Not assigned 1972 Madrid Paper
18 Australian Aboriginal Bark Paintings
William Boustead*
Ethnographical Collections 1972 Madrid Paper
19 Beitrag zu der Asthetii der Retusche
von Jiri Josefik*
Not assigned 1972 Madrid Paper
20 Chassis
A.A. Zaitsev*
Not assigned 1972 Madrid Paper
21 Comparative Study of Conventional Relining Methods and Materials and Research towards their improvement.
V.R. Mehra*
Not assigned 1972 Madrid Paper
22 Concerning Conservation of Ethnographic Heritage
Dorian Sergeyev*
Ethnographical Collections 1972 Madrid Paper
23 Conservation Methods for Medieval Miniatures on Parchment
G.Z. Bykova*, A.V. Ivanova, I.P. Mokretzova
Not assigned 1972 Madrid Paper
24 Conservation of a one-log boat
Mihailov A.*
Not assigned 1972 Madrid Paper
25 Conservation of Miniatures
Radosavljevic, Vera*, Narodna biblioteka
Not assigned 1972 Madrid Paper
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