| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Polychromed Sculpture and Textile Arts
Manfred Koller*
|
Polychrome sculpture |
1996 Edinburgh |
Paper |
| 2 |
Comparative studies in polychromy: medieval architecture and other sculptures (the Courtyard - chapel in Vienna)
Manfred Koller*, Maria Ranacher
|
Polychromed Sculpture |
1978 Zagreb |
Paper |
| 3 |
Observation and analysis of Zwischgold on late medieval sculptures
Qing Wu*, Benjamin Watts,Erwin Hildbrand,Frithjof Nolting,Katharina Schmidt-Ott,Peter Wyer,Rainer Fink,Tiziana Lombardo,Vera Hubert
|
Scientific Research |
2021 Beijing |
Paper |
| 4 |
Composite wainscot block construction in medieval sculptures: A question of quality?
Bettina Ebert*
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 5 |
Zur Restaurierung von zwei grossen, vielgestaltiegen Kunstwerken
K.W. Bachmann*
|
Polychromed Sculpture |
1972 Madrid |
Paper |
| 6 |
La reprise d'une mauvaise restauration d'un Christ Mosan du XIVème siècle
Myriam Serck-Dewaide*
|
Polychromed Sculpture |
1993 Washington DC |
Paper |
| 7 |
The Preservation of Archaeological Water-logged and carved Charred Wood in the State Hermitage Museum
N.G. Gerasimova*, K.F. Nikitina, L.P. Gagen
|
Not assigned |
1972 Madrid |
Paper |
| 8 |
A matter of scale? From sculpture to interior: the conservation of polychrome surfaces
René Hoppenbrouwers*, Kate Seymour, Anne van Grevenstein, Angelique Friedrichs, Arnold Truyen
|
Sculpture and Polychromy |
2005 The Hague |
Paper |
| 9 |
Structure Changes ef Weathered Carrara Marble Sculptures as a Function ef Their Destructioned Position
Wolfram Kohler*
|
Stone |
1990 Dresden |
Paper |
| 10 |
A technical study of exceptionally preserved polychromy and gilding on a Roman marble head
Haddon Dine*, Angela Elliott,Glenn Gates,Lisa Anderson-Zhu,Mark Abbe
|
Sculpture, Polychromy, and Architectural Decoration |
2021 Beijing |
Paper |
| 11 |
The altar by Veit Stoss in Krakow: Main issues involved in a complex conservation research project
Iwona Martynowicz*, Jaroslaw Adamowicz,Marcin Strojecki,Michal Plotek
|
Sculpture, Polychromy, and Architectural Decoration |
2021 Beijing |
Paper |
| 12 |
The conservation of rope with PEG 800 and kerosene
G. Zink *, O. Emgrund
|
Wet Organic Archaeological Materials |
2016 Florence |
Paper |
| 13 |
Sources of Magnesium Efflorescence on Ceramics
Eggert, Gerhard *, Berning, Judith; Fischer, Andrea; Stelzner, Jörg; Bette, Sebastian
|
Glass and Ceramics |
2019 London |
Paper |
| 14 |
Prevention, breakage, care: anticipating damage in Medieval art technology
Jan M. van Daal*
|
Art Technological Source Research |
2022 Paris |
Paper |
| 15 |
Stress-strain behavior of gelatin, sturgeon glue, and methylcellulose at fluctuating relative humidity
Karolina Soppa*, Stefan Zumbühl
|
Paintings |
2023 Valencia |
Paper |
| 16 |
Nailing it! The identification of northern Netherlandish altarpieces through common features in their methods of construction
Kristin Kausland*
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 17 |
Nouveaux Problemes de Conervation Poses par les Techniques de l'art Moderne
Wolfgang Hahn*
|
20th Century Paintings |
1972 Madrid |
Paper |
| 18 |
The etched and grained church sculpture, -a beloved, disregarded and worth preserving 19th century colour expression
Karin Vestergaard Kristiansen*
|
Sculpture, Polychromy, and Architectural Decoration |
2011 Lisbon |
Paper |
| 19 |
Late 19th century furnishings and decorations in churches of the Rhineland - reflections on the investigation of a specific cultural phenomenon with special attention to the technology of polychromies
Gerda Kaltenbruner*
|
Polychromed Sculpture |
1978 Zagreb |
Paper |
| 20 |
The Digitale Kunstpforte: an interdisciplinary online platform for art technological source research and experimental reconstruction
Anne Krauter*, Franca Mader
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 21 |
An extensive treatment of a complex object: Preparing a gilt leather wall hanging for the National Museum’s new permanent display
Marie Kleivane*, Vilde Marie Dalåsen, Kathrin Guthmann
|
Leather and Related Materials |
2022 The Netherlands |
Paper |
| 22 |
Red glazes from brazilwood dye: Findings in late medieval polychromy
Elisabeth Taube*, Astrid Roth, Jana Sanyova
|
Sculpture, Polychromy, and Architectural Decoration |
2023 Valencia |
Paper |
| 23 |
Wholeness and heritage: Medieval polychromy and loss compensation in Scandinavia
Noëlle L.W. Streeton*
|
Theory, History, and Ethics of Conservation |
2023 Valencia |
Paper |