| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Papers on the Comervation and Technology of wood.
N.S. Brommelle*, J.A. Darrah, A.J. Moncrieff
|
Not assigned |
1972 Madrid |
Paper |
| 2 |
YCP Glass-induced metal corrosion: study and conservation of an enamelled altarpiece (1954-1956) of the collection of the University of Applied Arts Vienna.
Maria Holzleitner*, Maria Holzleitner, Eva Putzgruber, Marta Anghelone, Gabriela Krist
|
Metals |
2019 Neuchâtel |
Paper |
| 3 |
Johann Evangelist Holzer's ceiling painting in the pilgrimage church of St. Antony, Garmisch-Partenkirchen
Jiirgen Pursche*
|
Mural paintings, mosaics and rock art |
1999 Lyon |
Paper |
| 4 |
X-Ray Computer Tomography (Xct) In Wood Conservation
Achim Unger*, Jens Perleberg
|
Scientific Examination of Works of Art |
1987 Sydney |
Paper |
| 5 |
Object characteristics to consider when identifying appropriate climate conditions for conserved waterlogged archaeological wood
James Harvie*, Nanna Bjerregaard Pedersen
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Paper |
| 6 |
The Byzantine treatise About the Highly Esteemed and Famous Art of the Goldsmith: a multidisciplinary approach
Sayuri de Zilva*, Josef Engelmann, Erica Hanning, Stephan Patscher
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 7 |
Long-term properties of treated waterlogged archaeological wood – a comparative study of three treatments
Jana Gelbrich*, Stefanie Conrad;Jürgen Frick;Manuela Reichert;Peter Gänz;Sven Simon
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 8 |
‘All that glitters is not pseudogold’: a study in pseudopseudogilding
Gerhard Eggert*, Hartmut Kutzke
|
Metals |
2002 Rio de Janeiro |
Paper |
| 9 |
Effects of cryogenic temperatures on paint layers on polychrome wooden objects
Alexandra Schieweck*
|
Sculpture and Polychromy |
2005 The Hague |
Paper |
| 10 |
Tegel Palace. A Synthesis and Complete History of the Art Made for and Collected by Wilhelm von Humboldt
Martina Abri *, Jörg Weber
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 11 |
Pyrite decay in the “Posidonienschieferwand” of the Stuttgart Parliament
Cristina Gascó Martín*
|
Murals, Stone, and Rock Art |
2023 Valencia |
Poster |
| 12 |
Composite wainscot block construction in medieval sculptures: A question of quality?
Bettina Ebert*
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 13 |
Tree-Ring Chronology of Spruce Wood and Its Application in the Dating of Stringed Instruments
P. Klein*, H. Mehringer, J. Bauch
|
New applications of Methods of Examination |
1984 Copenhagen |
Paper |
| 14 |
Characterization of Mechanical Properties of Vasa Oak and their Application in a Full-Scale Numerical Model for Support Assessment
R. Afshar*, A. Ahlgren, E.K. Gamstedt
|
Wet Organic Archaeological Materials |
2019 Portsmouth |
Paper |
| 15 |
Fishing for Stability: Conserving a Fish Trap in a Block Excavation by the Alcohol-Ether-Resin Method
Katharina Schmidt-Ott*, Cédric André, Martin Bader
|
Wet Organic Archaeological Materials |
2019 Portsmouth |
Paper |
| 16 |
Opto-technical monitoring and hygrothermal simulation of cultural heritage as a tool for identifying critical climate change-related relative humidity values inside buildings
Kristina Holl*, Leander Pallas, Martin Krus, Paul Bellendorf, Thomas Löther
|
Preventive Conservation |
2023 Valencia |
Paper |
| 17 |
A literature review of the deterioration of PEG in archaeological wood
A. Crawshaw *
|
Wet Organic Archaeological Materials |
2016 Florence |
Paper |
| 18 |
Non-destructive assessment of conserved archaeological wood using computed tomography
Ingrid Stelzner*, Damian Gwerder,Joerg Stelzner,Jorge Martinez-Garcia,Markus Egg,Markus Wittkoepper,Philipp Schuetz,Waldemar Muskalla
|
Wet Organic Archaeological Materials |
2021 Beijing |
Paper |
| 19 |
Displaying Styrian Interiors in Graz. Karl Lacher and his Pioneering Concept of Period Rooms
Valentin Delic *
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 20 |
Large scale conservation of wooden finds from medieval mining
P. Schmidt-Reimann *
|
Wet Organic Archaeological Materials |
2013 Istanbul |
Paper |
| 21 |
Investigations on Swelling and Shrinkage of Panels with Wooden Support
Peter Klein*, Friedrich-Wilhelm Broker
|
Scientific Examination of Works of Art |
1990 Dresden |
Paper |
| 22 |
Cold Paint on Stained Glass from Nuremberg: Technical Insights into the Art of Stained Glass around 1500
Martha Hör *
|
Glass and Ceramics |
2016 Wroclaw |
Paper |
| 23 |
Impact of iron compounds, oxygen and additives on the degradation of oak wood- modeling of the Vasa wood
S. Norbakhsh *, I. Bjurghager, G. Almkvist
|
Wet Organic Archaeological Materials |
2013 Istanbul |
Paper |
| 24 |
Non-destructive dendrochronology: Analysis of the influence of conservation agents in the wood structure with laboratory-based and synchrotron X-ray micro-computed tomography
Ingrid Stelzner*, Damian Gwerder, Elias Hamann, Jörg Stelzner, Jorge Martinez-Garcia, Marcus Zuber, Philipp Schuetz, Sebastian Million
|
Wet Organic Archaeological Materials |
2023 Valencia |
Paper |
| 25 |
Stress-strain behavior of gelatin, sturgeon glue, and methylcellulose at fluctuating relative humidity
Karolina Soppa*, Stefan Zumbühl
|
Paintings |
2023 Valencia |
Paper |