| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
The Byzantine treatise About the Highly Esteemed and Famous Art of the Goldsmith: a multidisciplinary approach
Sayuri de Zilva*, Josef Engelmann, Erica Hanning, Stephan Patscher
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 2 |
Controlled air-drying of archaeological antler: A comparison between untreated, polyethylene glycol 400 and glycerol-treated antler finds from Swiss lakeside settlements
Nikola Laura Will*, Stefanie Bruhin, Andrea Funck, Erwin Hildbrand, Katharina Schmidt-Ott
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Paper |
| 3 |
Evaluation of conservation methods for archaeological wet wood with structured light 3D scanning and μ-CT
Ingrid Stelzner*, Jörg Stelzner;Jorge Martinez-Garcia;Damian Gwerder;Markus Wittköpper;Waldemar Muskalla;Anja Cramer;Guido Heinz;Markus Egg;Philipp Schuetz
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 4 |
Assessing conservation agents in archaeological wood by neutron imaging
Jorge Martinez-Garcia*, Ingrid Stelzner;Jörg Stelzner;Damian Gwerder;Pavel Trtik;David Mannes;Philipp Schuetz
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 5 |
Non-destructive assessment of conserved archaeological wood using computed tomography
Ingrid Stelzner*, Damian Gwerder,Joerg Stelzner,Jorge Martinez-Garcia,Markus Egg,Markus Wittkoepper,Philipp Schuetz,Waldemar Muskalla
|
Wet Organic Archaeological Materials |
2021 Beijing |
Paper |
| 6 |
Mapping Roman leather shoes using a controlled vocabulary
Ingrid Stelzner*, Anja Cramer, Lena Klar, Kristina Fischer
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Poster |
| 7 |
Non-destructive dendrochronology: Analysis of the influence of conservation agents in the wood structure with laboratory-based and synchrotron X-ray micro-computed tomography
Ingrid Stelzner*, Damian Gwerder, Elias Hamann, Jörg Stelzner, Jorge Martinez-Garcia, Marcus Zuber, Philipp Schuetz, Sebastian Million
|
Wet Organic Archaeological Materials |
2023 Valencia |
Paper |
| 8 |
Archaeobark identification, conservation and interpretation of linden bark vessels
Giovanna Di Pietro*, Johanna Klügl, Ingrid Stelzner, Harald Stäuble, Oliver Nelle, Ülrich Veit, Sebastian Million, Jorg Stelzner, Kathrin Krüger
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Poster |
| 9 |
Fishing for Stability: Conserving a Fish Trap in a Block Excavation by the Alcohol-Ether-Resin Method
Katharina Schmidt-Ott*, Cédric André, Martin Bader
|
Wet Organic Archaeological Materials |
2019 Portsmouth |
Paper |
| 10 |
Large scale conservation of wooden finds from medieval mining
P. Schmidt-Reimann *
|
Wet Organic Archaeological Materials |
2013 Istanbul |
Paper |
| 11 |
Conservation of two Neolithic wickerwork wells: a case study
Ingrid Stelzner*, Jörg Stelzner;Michael Sietz
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 12 |
Optimisation of the Alcohol-Ether-Resin Method for Wood and Composite Objects
Katharina Schmidt-Ott*, Cédric André;Gaëlle Liengme;Erwin Hildbrand
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 13 |
The Period Rooms in the Swiss National Museum, Zurich: The 1898 Installations to be Conserved and Reinstalled
Gaby Petrak *
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 14 |
Mirrored with molten lead: Convex mirror glass through the ages
Gerhard Eggert*, Andrea Fischer
|
Glass and Ceramics |
2023 Valencia |
Paper |
| 15 |
A transalpine collaboration—Revising the conservation of Ötzi’s clothes and equipment
Alexander Dittus*, Janet Schramm, Stefanie Bruhin, Andreas Putzer
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Paper |
| 16 |
Neolithic bast textiles - adjustment of the conservation methods
Janet Schramm *, Gaëlle Liengme
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 17 |
How to conserve a birch bark bow case from an ice patch?
J. Klügl *
|
Wet Organic Archaeological Materials |
2013 Istanbul |
Paper |
| 18 |
Conservation of waterlogged wood from medieval mines
P. Schmidt-Reimann *, T. Reuter, L. Albrecht-Kramer
|
Wet Organic Archaeological Materials |
2016 Florence |
Paper |
| 19 |
Lime sinter layers on waterlogged wood—A removal option
Jörg Hägele-Masnick*
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Poster |
| 20 |
Statistical analysis of waterlogged archaeological wood from the KUR database
James Harvie*
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Poster |
| 21 |
The first wheels go round again
I. Wiesner *, J. Stelzner, S. Million, K. Kuhnt, K. Bott
|
Wet Organic Archaeological Materials |
2013 Istanbul |
Paper |
| 22 |
Challenges in conserving archaeological chrome-tanned waterlogged leathers with a cellulose nitrate finish: A case study of two leather coats from the Nazi Era
Mayumi Matsukawa*, Tracy Niepold, Andrea Funck, Anna Micheluz, Stephanie Dietz
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Paper |
| 23 |
Stuck like glue: Wood tar as a medieval stone adhesive
Bettina Ebert*, Torbjørg Bjelland
|
Murals, Stone, and Rock Art |
2023 Valencia |
Paper |
| 24 |
Caulking material from the Roskilde ships
A. Hjelm Petersen *
|
Wet Organic Archaeological Materials |
2013 Istanbul |
Paper |
| 25 |
Displaying Styrian Interiors in Graz. Karl Lacher and his Pioneering Concept of Period Rooms
Valentin Delic *
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |