| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
From Printmaking to Installation: Light as a Visual Mediator
Áurea Muñoz-del-Amo *
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 2 |
Highlights, decorations and contours. Gildings on alabaster illustrated by the exceptional altarpiece of Boussu.
Judy De Roy *
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 3 |
Inframince and light as plastic resource in contemporary installation art
Juan Manuel Torrado Martínez *
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 4 |
Introduction
Stephanie de Roemer*
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 5 |
Light and Shadow. From the design to the preservation/conservation of Mary Vieira’s artwork at Belo Horizonte
Pedro Augusto Vieira Santos *
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 6 |
Light as sculpture shape and a disturbing degradation factor in contemporary medals
Ana Sofia Neves *, Ana Baila~o
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 7 |
Lux and Lumen, transcendence and theatricality - Two coatings for one Rococo altarpiece by André Soares
Agnès Le Gac*, Eduardo Pires de Oliveira
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 8 |
Plastic Fantastic. Conserving Andrea’s Trust
Gerri Strickler *
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 9 |
Tactile Light: The preservation and exhibition of light-based artwork by SoCal artists.
Elizabeth Homberger *, Abigail Duckor, Laura Maccarelli
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 10 |
To replace or restore the worn parts? Decision making considerations for the conservation of light installations
Konstantinos Stoupathis*
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 11 |
Under UV light: games of metamerism. An investigation on luminescent materials and the technique of black-light artists.
Serena Francone *
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |
| 12 |
Why Don't They Chat Anymore? Polychrome Wooden Ssculptures and Lighting: Technical and Emotional Instances
Francesca Tonini *, Riccardo Balzarotti
|
Sculpture, Polychromy, and Architectural Decoration |
2019 Tomar |
Paper |