| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
"History is my material" - Anselm Kiefer
Christina Young*, Amy Griffin, Tom Hale
|
Paintings |
2014 Melbourne |
Paper |
| 2 |
'Like with like’: A comparison of natural and synthetic stitching threads used in textile conservation
Sarah Benson*, Frances Lennard, Margaret J. Smith
|
Textiles |
2014 Melbourne |
Paper |
| 3 |
[Un:]Reasonable – broadening acceptable climate parameters for furniture on open display
Boris Pretzel*
|
Preventive Conservation |
2014 Melbourne |
Paper |
| 4 |
‘Common platform’ courses promote conservation
Elizabeth E Peacock*
|
Education and Training in Conservation |
2014 Melbourne |
Poster |
| 5 |
‘Less slick and not so clever’ The matt aesthetic and the art of E. Phillips Fox (1865-1915)
Catherine Nunn*
|
Paintings |
2014 Melbourne |
Paper |
| 6 |
‘Reducing risks to cultural heritage’: Analysis of a course metamorphosis.
catherine antomarchi*
|
Education and Training in Conservation |
2014 Melbourne |
Paper |
| 7 |
“Evaluation of nanotechnology for conservation of historical buildings: application of TiO2 nano-particle as a self-cleaning and antimicrobial coating material to surface of calcareous stone”
sayed mansour*, Amani abd el Hafez., Yasunori Matsuda
|
Murals, Stone, and Rock Art |
2014 Melbourne |
Poster |
| 8 |
“I try to keep surfaces as anonymous as possible”. Conservation issues in Richard Serra's monumental paintstick drawings on canvas.
Meta Chavannes*, Hannie Diependaal, henk van keulen, Louise Wijnberg, Marc Bongaarts, Margje Leeuwestein, Suzan Catucci-de Groot
|
Modern Materials and Contemporary Art |
2014 Melbourne |
Paper |
| 9 |
“It felt a little like being let into a secret– “ A community-influenced museum exhibition on Technical Art History
Jorgen Wadum*, A.H. Christensen, B.A. Larsen, F. Knap, H. Tempest
|
Education and Training in Conservation |
2014 Melbourne |
Poster |
| 10 |
“Shipwreck Conservation Centre and Studio Warehouse in Tczew – construction of a cultural infrastructure branch of The Polish Maritime Museum in Gdańsk.”
Katarzyna Schaefer*, Irena Jagielska, Irena Rodzik, Malgorzata Kowalska
|
Education and Training in Conservation |
2014 Melbourne |
Poster |
| 11 |
“Treatment of air dried archaeological wool textiles from waterlogged environment”.
Annemette Bruselius Scharff*
|
Wet Organic Archaeological Materials |
2014 Melbourne |
Paper |
| 12 |
300 years of decay revealed by Synchrotron analysis of the de Vlamingh 1697 pewter plate
Ian MacLeod*, David Thurrowgood, Gwynneth Pohl
|
Metals |
2014 Melbourne |
Paper |
| 13 |
3D in focus microscopy of paintings using a Hirox 8700 digital microscope mounted on a MOPAS mobile XY stand system.
Jaap Boon*, Emilien Leonardt
|
Paintings |
2014 Melbourne |
Poster |
| 14 |
3D-Coform: Advancing the State of the Art in 3D Documentation for Conservation and Restoration
Ruven Pillay*
|
Documentation |
2014 Melbourne |
Poster |
| 15 |
50 years of synthetic adhesives in the Rijksmuseum
Suzan Meijer*
|
Textiles |
2014 Melbourne |
Paper |
| 16 |
A 15th century Flemish 'Closed Garden' in cuir bouilli. Production, Degradation and Conservation Issues of a small painted Leather Panel.
Lieve Watteeuw*, Marina Van Bos
|
Leather and Related Materials |
2014 Melbourne |
Paper |
| 17 |
A complete study of early 20th century oil-based enamel paints: integrating industrial technical literature and analytical data.
Maria Kokkori*, Francesca Casadio, Jaap Boon
|
Art Technological Source Research |
2014 Melbourne |
Paper |
| 18 |
A Conservation Encounter with Modern Balinese Art
Siew Wah Lee*, Tay Jam Meng
|
Graphic Documents |
2014 Melbourne |
Poster |
| 19 |
A cross-cultural investigation into practitioner decisions and public perceptions of cleaning metal objects in the UK and Qatar
Stavroula Golfomitsou*, Jill Saunders
|
Metals |
2014 Melbourne |
Poster |
| 20 |
A fully preserved red and white Iron Age dress - excavation, stabilization and engaging the local community
Lise Raeder Knudsen*, Anne-Kathrine Kjerulff, Louis Lange Wollesen
|
Textiles |
2014 Melbourne |
Paper |
| 21 |
A Landscape of Survival: Preservation of the Archaeological Heritage in the Border Area between Azerbaijan and Armenia
Maruchi Yoshida*, Andrea Ricci, PD Dr. Barbara Helwing
|
Preventive Conservation |
2014 Melbourne |
Paper |
| 22 |
A microfading study of Mark Rothko’s materials for the Seagram murals (1958-59)
Joyce Townsend*, Bronwyn Ormsby, Patricia Smithen, Rachel Barker
|
Modern Materials and Contemporary Art |
2014 Melbourne |
Poster |
| 23 |
A new beginning for English Heritage’s archaeological and architectural stored collections
david thickett*, amber xavier rowe, bethan stanley, charlie newman, martin allfrey
|
Preventive Conservation |
2014 Melbourne |
Paper |
| 24 |
A New Three Legged Stool: Research and Educational Ventures Between the Frans Hals Museum, Stichting Restauratie Atelier Limburg, and Washington and Lee University
Erich Uffelman*, Femke van der Knaap, Herman van Putten, Jessica Roeders, Jorinde Koenen, Julia van den Burg, Kate Seymour, Liesbeth Abraham, Mireille te Marvelde, René Hoppenbrouwers, Samuel Florescu
|
Education and Training in Conservation |
2014 Melbourne |
Paper |
| 25 |
A phenomenological atlas of degradation of cadmium yellow oil paint in paintings by Piet Mondrian
Laura Kolkena*
|
Paintings |
2014 Melbourne |
Poster |