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# Title Working Group Year/Venue Paper/poster
1 "History is my material" - Anselm Kiefer
Christina Young*, Amy Griffin, Tom Hale
Paintings 2014 Melbourne Paper
2 'Like with like’: A comparison of natural and synthetic stitching threads used in textile conservation
Sarah Benson*, Frances Lennard, Margaret J. Smith
Textiles 2014 Melbourne Paper
3 [Un:]Reasonable – broadening acceptable climate parameters for furniture on open display
Boris Pretzel*
Preventive Conservation 2014 Melbourne Paper
4 ‘Common platform’ courses promote conservation
Elizabeth E Peacock*
Education and Training in Conservation 2014 Melbourne Poster
5 ‘Less slick and not so clever’ The matt aesthetic and the art of E. Phillips Fox (1865-1915)
Catherine Nunn*
Paintings 2014 Melbourne Paper
6 ‘Reducing risks to cultural heritage’: Analysis of a course metamorphosis.
catherine antomarchi*
Education and Training in Conservation 2014 Melbourne Paper
7 “Evaluation of nanotechnology for conservation of historical buildings: application of TiO2 nano-particle as a self-cleaning and antimicrobial coating material to surface of calcareous stone”
sayed mansour*, Amani abd el Hafez., Yasunori Matsuda
Murals, Stone, and Rock Art 2014 Melbourne Poster
8 “I try to keep surfaces as anonymous as possible”. Conservation issues in Richard Serra's monumental paintstick drawings on canvas.
Meta Chavannes*, Hannie Diependaal, henk van keulen, Louise Wijnberg, Marc Bongaarts, Margje Leeuwestein, Suzan Catucci-de Groot
Modern Materials and Contemporary Art 2014 Melbourne Paper
9 “It felt a little like being let into a secret– “ A community-influenced museum exhibition on Technical Art History
Jorgen Wadum*, A.H. Christensen, B.A. Larsen, F. Knap, H. Tempest
Education and Training in Conservation 2014 Melbourne Poster
10 “Shipwreck Conservation Centre and Studio Warehouse in Tczew – construction of a cultural infrastructure branch of The Polish Maritime Museum in Gdańsk.”
Katarzyna Schaefer*, Irena Jagielska, Irena Rodzik, Malgorzata Kowalska
Education and Training in Conservation 2014 Melbourne Poster
11 “Treatment of air dried archaeological wool textiles from waterlogged environment”.
Annemette Bruselius Scharff*
Wet Organic Archaeological Materials 2014 Melbourne Paper
12 300 years of decay revealed by Synchrotron analysis of the de Vlamingh 1697 pewter plate
Ian MacLeod*, David Thurrowgood, Gwynneth Pohl
Metals 2014 Melbourne Paper
13 3D in focus microscopy of paintings using a Hirox 8700 digital microscope mounted on a MOPAS mobile XY stand system.
Jaap Boon*, Emilien Leonardt
Paintings 2014 Melbourne Poster
14 3D-Coform: Advancing the State of the Art in 3D Documentation for Conservation and Restoration
Ruven Pillay*
Documentation 2014 Melbourne Poster
15 50 years of synthetic adhesives in the Rijksmuseum
Suzan Meijer*
Textiles 2014 Melbourne Paper
16 A 15th century Flemish 'Closed Garden' in cuir bouilli. Production, Degradation and Conservation Issues of a small painted Leather Panel.
Lieve Watteeuw*, Marina Van Bos
Leather and Related Materials 2014 Melbourne Paper
17 A complete study of early 20th century oil-based enamel paints: integrating industrial technical literature and analytical data.
Maria Kokkori*, Francesca Casadio, Jaap Boon
Art Technological Source Research 2014 Melbourne Paper
18 A Conservation Encounter with Modern Balinese Art
Siew Wah Lee*, Tay Jam Meng
Graphic Documents 2014 Melbourne Poster
19 A cross-cultural investigation into practitioner decisions and public perceptions of cleaning metal objects in the UK and Qatar
Stavroula Golfomitsou*, Jill Saunders
Metals 2014 Melbourne Poster
20 A fully preserved red and white Iron Age dress - excavation, stabilization and engaging the local community
Lise Raeder Knudsen*, Anne-Kathrine Kjerulff, Louis Lange Wollesen
Textiles 2014 Melbourne Paper
21 A Landscape of Survival: Preservation of the Archaeological Heritage in the Border Area between Azerbaijan and Armenia
Maruchi Yoshida*, Andrea Ricci, PD Dr. Barbara Helwing
Preventive Conservation 2014 Melbourne Paper
22 A microfading study of Mark Rothko’s materials for the Seagram murals (1958-59)
Joyce Townsend*, Bronwyn Ormsby, Patricia Smithen, Rachel Barker
Modern Materials and Contemporary Art 2014 Melbourne Poster
23 A new beginning for English Heritage’s archaeological and architectural stored collections
david thickett*, amber xavier rowe, bethan stanley, charlie newman, martin allfrey
Preventive Conservation 2014 Melbourne Paper
24 A New Three Legged Stool: Research and Educational Ventures Between the Frans Hals Museum, Stichting Restauratie Atelier Limburg, and Washington and Lee University
Erich Uffelman*, Femke van der Knaap, Herman van Putten, Jessica Roeders, Jorinde Koenen, Julia van den Burg, Kate Seymour, Liesbeth Abraham, Mireille te Marvelde, René Hoppenbrouwers, Samuel Florescu
Education and Training in Conservation 2014 Melbourne Paper
25 A phenomenological atlas of degradation of cadmium yellow oil paint in paintings by Piet Mondrian
Laura Kolkena*
Paintings 2014 Melbourne Poster
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