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# Title Working Group Year/Venue Paper/poster
1 "A study in Scarlet" – unveiling the mystery of the Portuguese medieval illumination palette
Catarina Miguel*
Art Technological Source Research 2011 Lisbon Paper
2 "Weeping sculptures": Research into the degradation and conservation of artworks from the series “Stage evidence” by Loris Cecchini.
Marta Palmeira*
Modern Materials and Contemporary Art 2011 Lisbon Poster
3 ‘EthCon’ – Teaching Ethics in Ethnographic Objects Conservation
Cord Brune*
Education and Training in Conservation 2011 Lisbon Paper
4 ‘Pack Mentality: The development of Tissue Gel Composite Cleaning at SRAL’
Gwendoline R. Fife*
Paintings 2011 Lisbon Paper
5 ‘Purpura’ and proto-changeant: the earliest representations of shot-silk fabrics
mark clarke*
Art Technological Source Research 2011 Lisbon Paper
6 “El proceso de recuperación de un conjunto de tablas policromadas del s. XV halladas en un contexto arqueológico en Alcózar (Soria). Nuevos retos metodológicos para la conservación”
Cristina Gómez González*
Wet Organic Archaeological Materials 2011 Lisbon Paper
7 “The nocturnal conspiracy of Claudius Civilis in the Schakerbosh”(1659 and 1662) by Govert Flinck and Jurriaen Ovens: An analysis of its remarkable genesis, painting technique, function and appearance.
Froment*
Paintings 2011 Lisbon Paper
8 “The role of conservation in the preservation of the authenticity of furniture”
Stéphanie Auffret*
Wood, Furniture, and Lacquer 2011 Lisbon Paper
9 “Vous êtes une Trinité”. The evolution of the 1950-51 multidisciplinary study and treatment of the Ghent Altarpiece under the gaze of an international commission.
Helene Dubois*
Theory and History of Conservation 2011 Lisbon Paper
10 18th century lacquer art in Paris : green Japanning panels from a Chinese cabinet in the mansion of Duke of Richelieu
Le Ho*
Wood, Furniture, and Lacquer 2011 Lisbon Paper
11 3D X-Ray microtomography in the characterisation and study of the mechanisms of formation of calcium soaps
Ester S. B. Ferreira*
Scientific Research 2011 Lisbon Paper
12 A Case Study of Arsenic Mitigation from Textiles Prior to Exhibit
Rebecca Tinkham*
Textiles 2011 Lisbon Paper
13 A century of history of paper conservation and of the professional status of the conservatos/restorer
Maria da Conceição Lopes Casanova*
Theory and History of Conservation 2011 Lisbon Paper
14 A collaborative study of Native California featherwork
Ellen Pearlstein*
Ethnographic Collections 2011 Lisbon Paper
15 A Color Target for Lighting Evaluation
Roy Berns*
Scientific Research 2011 Lisbon Paper
16 A Database Tool for Collections Risk Evaluation and Planning
Lisa Elkin*
Preventive Conservation 2011 Lisbon Paper
17 A long-term study of conservation management and corrosion of shipwrecks in the Fathom Five underwater National Park, Lake Huron, Canada
Ian Donald MacLeod*
Metals 2011 Lisbon Paper
18 A new methodology or wet conservation treatments of graphic art on paper with a rigid polysaccharide gel of Gellan Gum
silvia sotgiu*
Graphic Documents 2011 Lisbon Paper
19 A Pandora's box? The Aluminium Boxes of Lourdes Castro and the conservation of contemporary art
Sara Babo*
Modern Materials and Contemporary Art 2011 Lisbon Paper
20 A preliminary study into the swelling behaviour of artists’ acrylic emulsion paint films.
Bronwyn Ormsby*
Modern Materials and Contemporary Art 2011 Lisbon Paper
21 A question of scale & terminology, extrapolating from past practices in commercial manufacture to current laboratory experience: the Winsor & Newton 19th Century Artists’ Materials Database
Pedro Alexandre Santos Leitão Caetano Alves*
Art Technological Source Research 2011 Lisbon Paper
22 A Sino-Japanese-Portuguese Byôbu: its conservation and contextualization
Francisca Figueira*
Graphic Documents 2011 Lisbon Paper
23 A Study on 16th and 17th Century Lusitanian-Oriental Lacquerware
Ulrike Körber*
Wood, Furniture, and Lacquer 2011 Lisbon Paper
24 A tool for museum storage reorganization: a cross-cultural initiative
Simon Lambert*
Preventive Conservation 2011 Lisbon Poster
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