# |
Title |
Working Group |
Year/Venue |
Paper/poster |
1 |
A draft of the documentation system concerning the restoration of a painting or sculpture
Jirí Josefík*, Sonka
|
Documentation |
1975 Venice |
Paper |
2 |
A hand held microscope for the examination of pictures
Westby Percival-Prescott*
|
Non-Desctructive Methods of Examination of Works of Art |
1975 Venice |
Paper |
3 |
A literature search for a pigment study
Carol A. Grissom*
|
Paint Layer |
1975 Venice |
Paper |
4 |
A note on the examination with infrared reflectography of some paintings of the group Van der Weyden/Flémalle
R. van Schoute*, J.R.J. van Asperen de Boer
|
Non-Desctructive Methods of Examination of Works of Art |
1975 Venice |
Paper |
5 |
A project to prepare monographs on ten artists' pigments
R.L. Feller*
|
Paint Layer |
1975 Venice |
Paper |
6 |
A scientific examination of some 19th-century Dutch Gothic revival polychromed sculptures
J.R.J. van Asperen de Boer*
|
Polychromed Sculpture |
1975 Venice |
Paper |
7 |
A simple method for the conservation of zinc and copper printing blocks
Jirí Cejka*
|
Metals |
1975 Venice |
Paper |
8 |
A study of organic components of paints and grounds in Central Asian and Crimean wall paintings
V.J. Birstein*
|
Mural Paintings |
1975 Venice |
Paper |
9 |
A suggested model for SO2 - wet marble-airborne particles atmospheric system
O. Vittori*, S. Fuzzi
|
Stone |
1975 Venice |
Paper |
10 |
A survey of methods of storage of ethnographical collections
Dale Idiens*
|
Ethnographic Materials |
1975 Venice |
Paper |
11 |
Acid-vapour derusting of sandstone building blocks
David R. Tilbrooke*
|
Stone |
1975 Venice |
Paper |
12 |
Alkaline sulfite reduction treatment of marine iron
N.A. North*, C. Pearson
|
Studies and Researches on Underwater Archaeology |
1975 Venice |
Paper |
13 |
Altar-pieces in Austrian Baroque: working organization, stretchers and climate protections - history and actual consequences for conservation work
Manfred Koller*
|
Polychromed Sculpture |
1975 Venice |
Paper |
14 |
An approach of tomography
L.I. Bashrnakova*
|
Non-Desctructive Methods of Examination of Works of Art |
1975 Venice |
Paper |
15 |
Analyse des tannins hydrolysables susceptibles d'entrer dans la composition des encres ferro-galliques
F. Flieder*, R. Barroso, C. Oruezabal
|
Graphic Documents and Illuminated Manuscripts |
1975 Venice |
Paper |
16 |
Analysis of 35SO2/CaCO3 reaction on the marble surfaces of Venice buildings by radiochemical and optical methods
A. Breccia*, S. Fuzzi, O. Vittori
|
Non-Desctructive Methods of Examination of Works of Art |
1975 Venice |
Paper |
17 |
Archives and history of the discovery of ancient Russian painting
G.I. Vzdornov*
|
Theory and History of Restoration |
1975 Venice |
Paper |
18 |
Artificial ageing of yarns in presence as well as in absence of light and under different atmospheric conditions
Jentina E. Leene*, L. Demény, R.J. Elema, A.J. de Graaf, J.J. Surtel
|
Textiles |
1975 Venice |
Paper |
19 |
Aspects of wall-painting in polychrome architecture: relations between Italy and Austria from the 15th to the 19th centuries
Manfred Koller*
|
Mural Paintings |
1975 Venice |
Paper |
20 |
Baroque altar-furniture and sculpture in Austria: technique, polychromy and conservation
Manfred Koller*
|
Polychromed Sculpture |
1975 Venice |
Paper |
21 |
Chemical and physical properties of poly(vinyl acetate) copolymer emulsions
N.S. Baer*, N. Indictor, T.I. Schwartzman, I.L. Rosenberg
|
Varnishes |
1975 Venice |
Paper |
22 |
Classification of features of easel painting items for use in an information system with superposition cards
Yu.I. Grenberg*
|
Documentation |
1975 Venice |
Paper |
23 |
Climatologie au musée du Prado
Jose Maria Cabrera*, Ana Maria Cifuentes
|
Lighting |
1975 Venice |
Paper |
24 |
Conservation of the archaeological wood with transparent silicon organic polymers
N.N. Yashvili*
|
Waterlogged Wood |
1975 Venice |
Paper |
25 |
Conservation of wood which has stayed in water in the P.R. of Bulgaria
A. Mihailov*
|
Waterlogged Wood |
1975 Venice |
Paper |