| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Carl August Steinheil's pioneering daguerreotypes: Non-destructive investigation of his production and processing methods
Marisa Pamplona*, Élia Roldão, Clarimma Sessa, Cornelia Kemp, Eva Mariasole Angelin, Marisa Pamplona, Martin Jürgens
|
Photographic Materials |
2023 Valencia |
Paper |
| 2 |
Changing attitudes towards restoration
Mille Stein*, Kirsten Trampedach
|
Theory and History of Conservation-Restoration |
2002 Rio de Janeiro |
Paper |
| 3 |
The future of the past: Preservation of "Gertrude Stein," a robot sculpture by Nam June Paik
Michelle Vergeer*, Gwendolyn Boeve-Jones, Kimberly Frost
|
Modern Materials and Contemporary Art |
2023 Valencia |
Paper |
| 4 |
Evaluating archaeological wood treatments. Part I: parameters and tools
Angeliki Zisi*, Calin Steindal;Susan Braovac
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 5 |
Consolidation of waterlogged archaeological wood with lignin-like oligomers
E. McHale*, S. Braovac, C. Steindal, H. Kutzke, T. Benneche
|
Wet Organic Archaeological Materials |
2016 Florence |
Paper |
| 6 |
Evaluating archaeological wood treatments. Part II: a comparative study
Angeliki Zisi*, Calin Steindal;Fabrizio Andriulo;Susan Braovac
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 7 |
The role of enzymes in the paper splitting process
Anna Haberditzl *, Eva Galinsky, Hans Bisswanger, Klaus Moschel, Christa Steinbrenner
|
Not assigned |
1999 Lyon |
Poster |
| 8 |
ADVANCED MEASURING OF THE CLIMATIC CONDITIONS IN THE MEDIEVAL WOODEN CHURCHES IN NORWAY
Nils Marstein*, Mille Stein
|
Lighting and Climate Control |
1987 Sydney |
Paper |
| 9 |
Nanotechnologies for the restoration of alum-treated archaeological wood
F. Andriulo *, R. Giorgi, C. Steindal, H. Kutzke, S. Braovac
|
Wet Organic Archaeological Materials |
2016 Florence |
Paper |
| 10 |
The Stein birch-bark collection in Oxford: thirty years of developing treatment options for our most fragile manuscripts
Nicole Gilroy*
|
Graphic Documents |
2008 New Delhi |
Paper |
| 11 |
The deterioration and conservation of porous building materials in monuments. A literature review. Supplement 1981
T.Stambolov*, J.R.J. van Asperen de Boer
|
Stone |
1981 Ottawa |
Paper |
| 12 |
Relic or release: defining and documenting the physical and aesthetic death of contemporary works of art
Alison Bracker*, Rachel Barker
|
Theory and History of Conservation |
2005 The Hague |
Paper |
| 13 |
Stone Conservation with Silicate Esters
Josef Riederer*
|
Not assigned |
1972 Madrid |
Paper |
| 14 |
The cleaning of the facade of the Tuschinski theater in Amsterdam (an application of on complexing agent based pastes}
R. Crèvecoeur*, P. Terwen
|
Stone |
1978 Zagreb |
Paper |
| 15 |
The deterioration and conservation of porous building materials in monuments. A literature review. Supplement 1978
T. Stambolov*, J.R.J. van Asperen de Boer
|
Stone |
1978 Zagreb |
Paper |
| 16 |
Neolithic bast textiles - adjustment of the conservation methods
Janet Schramm *, Gaëlle Liengme
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 17 |
Exploring the late 19th-century landscape of ink manufacturing via a collection of 90 bottles
Birgit Reissland*, Art Proaño Gaibor, Frank Ligterink, Han Neevel
|
Art Technological Source Research |
2017 Copenhagen |
Paper |
| 18 |
The Byzantine treatise About the Highly Esteemed and Famous Art of the Goldsmith: a multidisciplinary approach
Sayuri de Zilva*, Josef Engelmann, Erica Hanning, Stephan Patscher
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 19 |
Displaying Styrian Interiors in Graz. Karl Lacher and his Pioneering Concept of Period Rooms
Valentin Delic *
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 20 |
An integrated conservation approach to a historic collection: The controversial varnishing of Munch's paintings
Thierry Ford*
|
Theory, History, and Ethics of Conservation |
2021 Beijing |
Paper |
| 21 |
Brief history of the first conservation laboratory in Türkiye: Kimyahane (House of Chemistry)
Vildan Yarligas*
|
Theory, History, and Ethics of Conservation |
2023 Valencia |
Paper |
| 22 |
A Study of Approaches to the Visible Restoration of Ceramics
Eve Bouyer *
|
Glass and Ceramics |
2016 Wroclaw |
Paper |
| 23 |
Technical Examination of Three Portable Chinese Buddhist Paintings from the Mogao Caves of Dunhuang
Erin Mysak*
|
Paintings |
2011 Lisbon |
Paper |
| 24 |
Some comments on the evolution of complex weave structures found in early patterned silks
Krishna Riboud*
|
Textiles |
1978 Zagreb |
Paper |
| 25 |
A string of beads unbroken: continuity and collaboration in an exhibition of Iroquois beadwork
Anne MacKay*
|
Ethnographic Collections |
2008 New Delhi |
Paper |