| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Retables sculptés et volets peints: Examen de la menuiserie, des profils et de la polychromie des cadres du retable d'Herbais sous Piétrain
Hélène M. Verougstraete*, Roger A. van Schoute
|
Easel Paintings on Rigid Support |
1993 Washington DC |
Paper |
| 2 |
Contribution to the study of natural resins in the art
L. Masschelein-Kleiner*, P. Taets
|
Protective Coatings, Traditional and Modern |
1981 Ottawa |
Paper |
| 3 |
A Sixteenth Century Tabernacle in Flanders with Non-Flemish Sgraffito Decorations
Stefanie Litjens *
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
| 4 |
Nailing it! The identification of northern Netherlandish altarpieces through common features in their methods of construction
Kristin Kausland*
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 5 |
Red glazes from brazilwood dye: Findings in late medieval polychromy
Elisabeth Taube*, Astrid Roth, Jana Sanyova
|
Sculpture, Polychromy, and Architectural Decoration |
2023 Valencia |
Paper |
| 6 |
Three Baroque Altarpieces in the Church of Our Lady in Aarschot (Belgium): Insights into the Working Methods of Antwerp Sculptor and Designer Pieter I Scheemaeckers (1652–1714)
Ingrid Geelen *
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 7 |
‘Purpura’ and proto-changeant: the earliest representations of shot-silk fabrics
mark clarke*
|
Art Technological Source Research |
2011 Lisbon |
Paper |
| 8 |
The Materials and Making Process of the Relief Painting Technique of ‘Applied-Brocade’ in the Basque Country
Ainhoa Rodriguez*, Naryan Khandekar, Fernando Bazeta, María Teresa Escohotado
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |