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Working Group
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20th Century Paintings
21st Century Paintings
Archaeological Materials and Sites
Art Technological Source Research
Bio-deterioration of Museum Collections
Care of Works of Art in Transit
Ceramics
Climate and Lighting Control
Coatings: Evaluation and Characterization
Conservation of Leathercraft and Related Materials
Conservation of Leathercraft and Related Objects
Conservation of Waterlogged Wood
Control of Biodeterioration
Control of Climate and Lighting
Documentation
Easel Paintings
Easel Paintings on Rigid Support
Education and Training in Conservation
Ethnographic collections
Ethnographic Materials
Ethnographic records
Ethnographical Collections
Furniture
Furniture and lacquer
Glass and Ceramics
Glass, Ceramics and Related Materials
Glass, Ceramics, and Related Materials
Graphic and Photographic Documents
Graphic Documents
Graphic Documents and Illuminated Manuscripts
History and Theory of Restauration
History and Theory of Restoration
Icons
Lacquer
Leather and Related Materials
Legal Issues in Conservation
Lighting
Lighting and Air Conditioning
Lighting and Climate Control
Metal
Metals
Modern and Contemporary Art
Modern materials
Modern Materials and Contemporary Art
Mural Paintings
Mural Paintings and Mosaics
Mural Paintings, Mosaics and Rock Art
Mural paintings/Rock art
Murals Paintings and Mosaics
Murals, Stone, and Rock Art
Natural History Collections
New applications of Methods of Examination
Non-Desctructive Methods of Examination of Works of Art
Non-destructive methods
Non-destructive Methods of Examining Works of Art and their Application
Not assigned
Nuclear Applications to Conservation
Objects from Indigenous and World Cultures
Paint Layer
Paintings
Paintings 1: Conservation and Restoration
Paintings 2: Scientific Study
Paintings I: Conservation and restoration of paintings
Paintings II: Scientific study of paintings
Paintings II: Scientific study of paintings (methods and techniques)
Photographic Materials
Photographic Records
Pigments in Painting
Polychrome sculpture
Polychromed Sculpture
Preventive Conservation
Protective Coatings, Traditional and Modern
Reference Materials
Resins
Resins: Characterization and Evaluation
Retouches
Rock Art
Scientific Examination of Works of Art
Scientific Methods of Examination
Scientific methods of examination of works of art
Scientific Research
Sculpture and polychromy
Sculpture, Polychromy, and Architectural Decoration
Siliceous Archaeological Materials
Silicious Archaeological Materials
Stone
Stretchers and Lining
Stretchers and Relining
Structural Restoration of Canvas Paintings
Structural Restoration of Paintings on Canvas
Studies and Researches on Underwater Archaeology
Subgroup: Study of Painting Techniques
Task Force on Public Engagement in Conservation
Textiles
Theory and History of Conservation
Theory and history of conservation-restoration
Theory and History of Restoration
Theory, History, and Ethics of Conservation
Training in Conservation and Restoration
Training of Restorers
Underwater Archaeology
Varnishes
Waterlogged Wood
Wet Archaeological Organic Materials
Wet Organic Archaeological Materials
Wood, Furniture, and Lacquer
Wood, Furniture, Lacquer
Year / Venue Presented
All
2025 Göteborg
2023 Valencia
2023 Mainz
2022 The Netherlands
2022 Paris
2022 Lisbon
2022 Helsinki
2021 Beijing
2019 Tomar
2019 Portsmouth
2019 Paris
2019 Neuchâtel
2019 London
2019 Cologne
2019 Abegg-Stiftung
2017 Copenhagen
2016 Wroclaw
2016 Potsdam
2016 New Delhi
2016 Florence
2014 Melbourne
2013 Tomar
2013 Istanbul
2011 Lisbon
2008 New Delhi
2005 The Hague
2002 Rio de Janeiro
1999 Lyon
1996 Edinburgh
1993 Washington DC
1990 Dresden
1987 Sydney
1984 Copenhagen
1981 Ottawa
1978 Zagreb
1975 Venice
1972 Madrid
Type (Paper / Poster)
All
Paper
Poster
Ext. Abstract
Found
2
results for "
Restaurierungsethik
"
1
#
Title
Working Group
Year/Venue
Paper/poster
1
The State of the Professionalization of Conservators in Germany. Existing Data for Conservators' Associations and Institutes of Higher Education
Kornelius Gatz*
Theory and history of restoration
1996 Edinburgh
Paper
2
Physical originality versus authentic experienceability. Heinz Mack´s light-kinetics as a case study in conservation theory and practice
Julia Giebeler*
Modern Materials and Contemporary Art
2014 Melbourne
Paper
1