| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
The State of Professionalism in Restoration in the 1930s in Germany
Michael von der Goltz*
|
Theory and history of restoration |
1996 Edinburgh |
Paper |
| 2 |
Geschichte der Entdeckung der mittelalterlichen Russischen Malerei in den archivalischen Sammlungen Anfang des XX. Jahrhunderts
G. Vzdornov*
|
Theory and History of Restoration |
1975 Venice |
Paper |
| 3 |
Forgotten artistic techniques – art technological reconstruction as a part of conservation education
Monika Kammer*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 4 |
Beitrag zu der Asthetii der Retusche
von Jiri Josefik*
|
Not assigned |
1972 Madrid |
Paper |
| 5 |
The Doerner: An artists’ manual, art technological reference, and international long-seller
Kathrin Kinseher*, Yao Erchang
|
Art Technological Source Research |
2021 Beijing |
Paper |
| 6 |
A technical study of Ferdinand Hodler’s painting technique – work in progress
Karoline Beltinger*, Gabriele Englisch, Danièle Gros, Christoph Herm, Anna Stoll
|
Paintings 2: Scientific Study |
2002 Rio de Janeiro |
Paper |
| 7 |
The cemetery chapel of Sta. Maria, Pontresina
Oskar Emmenegger*
|
Mural Paintings |
1975 Venice |
Paper |
| 8 |
Towards identification of brown discolouration on green paint
C.M. Groen*
|
Paint Layer |
1975 Venice |
Paper |
| 9 |
The reprint of Professor Max von Pettenkofer's 1870 publication Ober Olfarbe
Sibylle Schmitt*
|
Theory and history of conservation-restoration |
1999 Lyon |
Paper |
| 10 |
Polychromed Sculpture and Textile Arts
Manfred Koller*
|
Polychrome sculpture |
1996 Edinburgh |
Paper |
| 11 |
Discoloration of synthetic ultramarine. A case history
E.D. Bosshard*
|
20th Century Paintings |
1978 Zagreb |
Paper |
| 12 |
´Ajami - rooms – polychrome wooden interior decorations from Syria of the 17th to the 19th centuries: a view into art technology and conservation problems
Anke Scharrahs*
|
Sculpture, Polychromy, and Architectural Decoration |
2008 New Delhi |
Paper |
| 13 |
Nailing it! The identification of northern Netherlandish altarpieces through common features in their methods of construction
Kristin Kausland*
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 14 |
The Digitale Kunstpforte: an interdisciplinary online platform for art technological source research and experimental reconstruction
Anne Krauter*, Franca Mader
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 15 |
Theory and Practice: Remarks on the Examination and Conservation ef the Romanesque Mural Paintings in Salzburg Nonnberg
Ivo Hammer*, Ernst Lux
|
Mural Paintings and Mosaics |
1990 Dresden |
Paper |
| 16 |
Un ensemble monumental en pierre polychromée du XIVème siècle clans la cathedrale de Narbonne
Geneviève Rager*, Marie Payre
|
Sculpture and polychromy |
1999 Lyon |
Paper |
| 17 |
Nouveaux Problemes de Conervation Poses par les Techniques de l'art Moderne
Wolfgang Hahn*
|
20th Century Paintings |
1972 Madrid |
Paper |
| 18 |
The presence of saffron in Persian miniature paintings and its use as an inhibitor for the destructive effect of verdigris
Mandana Barkeshli *
|
Graphic documents |
1999 Lyon |
Paper |
| 19 |
Le ciel est blanc... Réflexions à propos du reblanchiment du choeur et du transept de la Cathédrale Notre-Dame d'Anvers
Walter Schudel*
|
Mural Paintings and Mosaics |
1993 Washington DC |
Paper |
| 20 |
The 'Stuttgarter Kartenspiel' - preliminary report on the technical examination of the pigments and paint layers of medieval playing cards
E.L. Richter*, H. Härlin
|
Paint Layer |
1975 Venice |
Paper |
| 21 |
A Proposal for the Classification of Painting Recipes
Margriet H. van Eikema Hommes*
|
Paintings II: Scientific study of paintings |
1996 Edinburgh |
Paper |
| 22 |
Natural Organic Colorants on Mediaeval Parchment: Anthocyanins
Arie Wallert*
|
Graphic Documents |
1993 Washington DC |
Paper |
| 23 |
Microscopic Investigations of 19th Century Darkened Painting Samples
Klara Erdohalmi-Torok*, Marta Kissne Bendefy
|
Scientific Examination of Works of Art |
1990 Dresden |
Paper |
| 24 |
Restoration of Two Icons Painted on Iron Plates in the Eastern Orthodox Church in Graboc
Judit Edos*
|
Easel Paintings on Rigid Support |
1990 Dresden |
Paper |
| 25 |
Scratching the Surface: Research into the Use of Funori as Consolidant of Friable White Surface Coatings on Greek and Roman Terracotta Figurines
Julia Wagner,*, Kate van Lookeren Campagne;Luc Megens;William Wei;Suzan de Groot
|
Glass and Ceramics |
2022 Lisbon |
Paper |