| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Nouveaux Problemes de Conervation Poses par les Techniques de l'art Moderne
Wolfgang Hahn*
|
20th Century Paintings |
1972 Madrid |
Paper |
| 2 |
Dammar and mastic infrared analysis
M.J.D. Low*, N.S. Baer
|
Protective Coatings, Traditional and Modern |
1978 Zagreb |
Paper |
| 3 |
Trial and error: a replica to replace a damaged component in a work by László Moholy-Nagy
Friederike Waentig*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 4 |
Life Long Guaranteed:The Effect of Accelerated Ageing on Tupperware Objects Made of Polyethylene
Thea B. van Oosten *, Arjo Aten
|
Modern materials |
1996 Edinburgh |
Paper |
| 5 |
Conservation of Wet Archaeological Rope
Inger Margrethe Bojesen Koefoed*, Ion Meyer, Kristiane Straetkvern, Poul Jensen
|
Wet Organic Archaeological Materials |
1993 Washington DC |
Paper |
| 6 |
The Development of a Conservation and Restoration Methodology for Embossed Leather Wall Coverings and Their Installation in Three Exhibition Rooms at Moritzburg Castle Introducing the Temporary Exhibition "Changing Rooms – Gilded Leather at Moritzburg Cas
Gabriele Hilsky*, Margitta Hensel
|
Leather and Related Materials |
2019 Paris |
Paper |
| 7 |
Development and in-depth testing of standard packing solutions for collections and museums
Martina Griesser*, Ernst Gregor, Monica Kurzel-Runtscheiner, Ute Kannengiesser, Elisabeth Schlegel, Martina Griesser-Stermscheg, Stefanie Jahn, Andrea Hanzal, Marguerite Ifsits, Michael Krainz
|
Preventive Conservation |
2008 New Delhi |
Paper |
| 8 |
Challenges in conserving archaeological chrome-tanned waterlogged leathers with a cellulose nitrate finish: A case study of two leather coats from the Nazi Era
Mayumi Matsukawa*, Tracy Niepold, Andrea Funck, Anna Micheluz, Stephanie Dietz
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Paper |
| 9 |
RESEARCH ON THE ANALYSIS OF VARNISH MIXTURES AS USED ON OLD BOWED INSTRUMENTS: POSSIBILITIES AND LIMITS
Wilma G.Th. Roelofs*, Riet F.S. Karreman, Judith H. Hofenk de Graaff
|
Resins: Characterization and Evaluation |
1987 Sydney |
Paper |
| 10 |
L'empaquetage avec de la baudruche pour réassembler les portraits miniatures après traitement
Carmen Krisai-Chizzola*
|
Paintings I: Conservation and restoration of paintings |
1999 Lyon |
Paper |
| 11 |
Imitations made from early plastics as trade goods
Margrit Reuss*
|
Ethnographic collections |
1999 Lyon |
Paper |
| 12 |
Reverse Side Protection of Paintings - Test Results and Suggestions for a Model
Ingo Sandner*, Hans-Peter Schramm, Anja Schaft
|
Structural Restoration of Paintings on Canvas |
1993 Washington DC |
Paper |
| 13 |
Conservation of Tracing Papers
Verena Flamm*, Christa Hofmann, Sebastian Dobrusskin, Gerhard Banik
|
Graphic Documents |
1990 Dresden |
Paper |
| 14 |
A Multi-analytical Approach to the Characterization of Vegetable-tanned Leather
Marianne Odlyha*, Angelica Bartoletti, Stephen Hudziak, Alexandra Bridarolli, Manfred Anders, David Thickett, Piero Baglioni, Rodorico Giorgi, David Chelazzi, Laurent Bozec
|
Leather and Related Materials |
2019 Paris |
Paper |
| 15 |
Fabulous beasts—leather, silk and gold: recent research on and conservation of 12th century footwear from the episcopal tombs in Trèves Cathedral
Jutta Göpfrich*, Brigitte Dreyspring
|
Leather and Related Materials |
2005 The Hague |
Paper |
| 16 |
Decontamination of ethnological objects with supercritical carbon dioxide
Helene Tello*, Achim Unger, Frank Gockel, Erich Jelen
|
Ethnographic Collections |
2005 The Hague |
Paper |
| 17 |
A transalpine collaboration—Revising the conservation of Ötzi’s clothes and equipment
Alexander Dittus*, Janet Schramm, Stefanie Bruhin, Andreas Putzer
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Paper |
| 18 |
‘Pesce, polyurethane and what happens today’. Results from the AXA Art Conservation Project in cooperation with the Vitra Design Museum
Kathrin Kessler*, Thea B van Oosten
|
Modern Materials and Contemporary Art |
2005 The Hague |
Paper |
| 19 |
ILKAR: Current research towards rationally designed digitisation strategies for magnetic tapes in archives
Elena Gómez-Sánchez*
|
Modern Materials and Contemporary Art |
2011 Lisbon |
Paper |