| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Fishing for Stability: Conserving a Fish Trap in a Block Excavation by the Alcohol-Ether-Resin Method
Katharina Schmidt-Ott*, Cédric André, Martin Bader
|
Wet Organic Archaeological Materials |
2019 Portsmouth |
Paper |
| 2 |
One craft, many names: gilders, preparers, and polychrome painters in the 15th and 16th centuries
Jilleen Nadolny*
|
Art Technological Source Research |
2008 New Delhi |
Paper |
| 3 |
The Period Rooms in the Swiss National Museum, Zurich: The 1898 Installations to be Conserved and Reinstalled
Gaby Petrak *
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 4 |
Theorie und Geschichte der Restaurierung
Heinz Althöfer*
|
Theory and History of Restoration |
1975 Venice |
Paper |
| 5 |
Red glazes from brazilwood dye: Findings in late medieval polychromy
Elisabeth Taube*, Astrid Roth, Jana Sanyova
|
Sculpture, Polychromy, and Architectural Decoration |
2023 Valencia |
Paper |
| 6 |
Conservation of biodeteriorated ancient documents and paper consolidation by plasma treatments
F Cappitelli*, L Laguardia, E Vassallo, A Cremona, E Zanardini, S Vicini, E Princi, E Mesto, M Cagna
|
Graphic Documents |
2005 The Hague |
Paper |
| 7 |
Retables sculptés et volets peints: Examen de la menuiserie, des profils et de la polychromie des cadres du retable d'Herbais sous Piétrain
Hélène M. Verougstraete*, Roger A. van Schoute
|
Easel Paintings on Rigid Support |
1993 Washington DC |
Paper |
| 8 |
Polychromed Sculpture and Textile Arts
Manfred Koller*
|
Polychrome sculpture |
1996 Edinburgh |
Paper |
| 9 |
The glass beads making in western Anatolia
Samim Sismanoglu*
|
Ethnographic Materials |
1978 Zagreb |
Paper |
| 10 |
Comparative studies in polychromy: medieval architecture and other sculptures (the Courtyard - chapel in Vienna)
Manfred Koller*, Maria Ranacher
|
Polychromed Sculpture |
1978 Zagreb |
Paper |
| 11 |
Stucco and its polychromy: historical and technical sources and principles of examination and restoration
Manfred Koller*
|
Murals Paintings and Mosaics |
1978 Zagreb |
Paper |
| 12 |
Optimisation of the Alcohol-Ether-Resin Method for Wood and Composite Objects
Katharina Schmidt-Ott*, Cédric André;Gaëlle Liengme;Erwin Hildbrand
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 13 |
Distinction of green pigments from yellow mixed with blue and black using multispectral/multiband imagery
Janin Bechstedt*
|
Documentation |
2021 Beijing |
Paper |
| 14 |
SOME RESULTS OF THE DENDROCHRNOLOGICAL STUDY OF THE ANCIENT RUSSIA ICON AND MONUMENTS OF WOODEN ARCHITECTURE
Sergejeva N. F.*, Chernjih N.B., Shurgin I.N.
|
Icons |
1984 Copenhagen |
Paper |
| 15 |
The ‘format question’ in Hodler’s work
Karoline Beltinger*
|
Paintings |
2005 The Hague |
Paper |
| 16 |
Aspects of wall-painting in polychrome architecture: relations between Italy and Austria from the 15th to the 19th centuries
Manfred Koller*
|
Mural Paintings |
1975 Venice |
Paper |
| 17 |
Composite wainscot block construction in medieval sculptures: A question of quality?
Bettina Ebert*
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 18 |
Contemporary textual evidence for the use of pigments in Anglo-Saxon England in the absence of technical descriptions
Mark Clarke*
|
Art Technological Source Research |
2008 New Delhi |
Paper |
| 19 |
Non-destructive assessment of conserved archaeological wood using computed tomography
Ingrid Stelzner*, Damian Gwerder,Joerg Stelzner,Jorge Martinez-Garcia,Markus Egg,Markus Wittkoepper,Philipp Schuetz,Waldemar Muskalla
|
Wet Organic Archaeological Materials |
2021 Beijing |
Paper |
| 20 |
Special Scientific-Restoration and Production studios of the Main Architectural-Planning Administration, Executive Committee, Leningrad City Soviet
D.A Bodik*
|
Not assigned |
1972 Madrid |
Paper |
| 21 |
Displaying Styrian Interiors in Graz. Karl Lacher and his Pioneering Concept of Period Rooms
Valentin Delic *
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 22 |
Between make-up and make over: protective layers on modern and contemporary art plastic objects
Thea B van Oosten*, Henk van Keulen, Sara Kuperholc, Clementine Bollard, Anna Laganà
|
Modern materials and contemporary art |
2008 New Delhi |
Paper |