| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Composite wainscot block construction in medieval sculptures: A question of quality?
Bettina Ebert*
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 2 |
Visual and technical study of the Kumla altar (ca. 1439), Swedish History Museum, Stockholm
Lise Sæter*, Tor Erik Skaaland, Lena Porsmo Stoveland, Oda Groennesby, Noelle Streeton
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 3 |
Nailing it! The identification of northern Netherlandish altarpieces through common features in their methods of construction
Kristin Kausland*
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 4 |
The Conservation of Polychrome Sculpture in the United States: An Historical Overview, 1870-1970
Lucretia Kargere*
|
Sculpture, Polychromy, and Architectural Decoration |
2011 Lisbon |
Paper |
| 5 |
Late 19th century furnishings and decorations in churches of the Rhineland - reflections on the investigation of a specific cultural phenomenon with special attention to the technology of polychromies
Gerda Kaltenbruner*
|
Polychromed Sculpture |
1978 Zagreb |
Paper |
| 6 |
A Basic Bibliography of Conservation
H.C. von Imhoff*, R.L. Feller
|
Not assigned |
1978 Zagreb |
Paper |
| 7 |
Stress-strain behavior of gelatin, sturgeon glue, and methylcellulose at fluctuating relative humidity
Karolina Soppa*, Stefan Zumbühl
|
Paintings |
2023 Valencia |
Paper |
| 8 |
Wholeness and heritage: Medieval polychromy and loss compensation in Scandinavia
Noëlle L.W. Streeton*
|
Theory, History, and Ethics of Conservation |
2023 Valencia |
Paper |