| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
An in situ non-invasive study of paint layers on Early Netherlandish paintings: New insights into the paintings’ history by portable CXRF
Katharina Müller*, Babette Hartwieg, Sandra Stelzig s., Ina Reiche
|
Scientific Research |
2017 Copenhagen |
Paper |
| 2 |
Rembrandt’s eyes
Jorgen Wadum*
|
Paintings |
2023 Valencia |
Paper |
| 3 |
The Rembrandt Database
Wietske Donkersloot*
|
Documentation |
2011 Lisbon |
Paper |
| 4 |
The Cranach Digital Archive: objectives and opportunities for interdisciplinary and inter-institutional research resources
Gunnar Heydenreich*, Helen Smith
|
Documentation |
2014 Melbourne |
Paper |
| 5 |
‘Purpura’ and proto-changeant: the earliest representations of shot-silk fabrics
mark clarke*
|
Art Technological Source Research |
2011 Lisbon |
Paper |
| 6 |
Adhesion and penetration of Sturgeon glue and Gelatines with different Bloom grades
Karolina Soppa*, Christoph Krekel, Margaux Genton, Thuja Seidel, Tilly Laaser
|
Paintings |
2014 Melbourne |
Paper |
| 7 |
Forgotten artistic techniques – art technological reconstruction as a part of conservation education
Monika Kammer*
|
Art Technological Source Research |
2019 Cologne |
Paper |
| 8 |
A century of history of paper conservation and of the professional status of the conservatos/restorer
Maria da Conceição Lopes Casanova*
|
Theory and History of Conservation |
2011 Lisbon |
Paper |
| 9 |
Re-examination of Vermeer forgeries
Arie Wallert*
|
Paintings |
2011 Lisbon |
Paper |
| 10 |
Use of lipase to remove oil-based overpaints
Denis Voki´c*, Marin Berovic
|
Sculpture and Polychromy |
2005 The Hague |
Paper |
| 11 |
The study and treatment of Rembrandt and/or Studio of, 'Saul and David', c. 1660 from the collection of the Mauritshuis
Petria Noble*
|
Paintings |
2011 Lisbon |
Paper |
| 12 |
Painting on white canvas: sixteenth century bleaching practices and analysis of morphological and chemical changes in flax fibres
Gunnar Heydenreich*, David Carson, Cecily Grzywacz, Herant Khanjian, Joy Mazure, Michael Schilling
|
Paintings |
2008 New Delhi |
Paper |
| 13 |
Packaging systems for paintings: damping capacity in relation to transport induced shock and vibration
Nathalie Baeschlin*
|
Paintings |
2014 Melbourne |
Paper |
| 14 |
Tracing the past: Observations on a gilded marble relief attributed to Francesco di Simone Ferrucci
Pamela Hatchfield*, Paolo Parmiggiani
|
Sculpture, Polychromy, and Architectural Decoration |
2021 Beijing |
Paper |
| 15 |
The development of new imaging techniques for the study/ interpretation of late Rembrandt paintings
Petria Noble*, Annelies van Loon, Geert van der Snickt, Joris Dik, Koen Janssens, Matthias Alfeld
|
Paintings |
2014 Melbourne |
Paper |
| 16 |
Softening paint and drip formation in paintings by Jean-Paul Riopelle (1923-2002): improving their condition with metal coordinating ions.
Ida Antonia Tank Bronken*, Jaap Boon
|
Paintings |
2014 Melbourne |
Paper |
| 17 |
Changing perceptions, changing curricula: Developments in the restoration program at the Academy of Fine Arts Vienna during the 20th century
Sigrid Eyb-Green*, Catherine Bouvier, Magdalena Schindler, Wolfgang Baatz
|
Theory, History, and Ethics of Conservation |
2023 Valencia |
Paper |
| 18 |
Changing properties of the asphalt- and oil-derived components in asphalt-oil paints prepared according to 19th century recipes
G M Languri*, J J Boon, R Boitelle
|
Paintings |
2005 The Hague |
Paper |
| 19 |
Backing boards and glazing on paintings: their dampening capacity in relation to shock impact and vibration
Bäschlin Nathalie*
|
Paintings |
2011 Lisbon |
Paper |
| 20 |
Historical recipes for the cleaning of easel paintings, 1600-1900.
Maartje Stols-Witlox*
|
Theory and History of Conservation |
2011 Lisbon |
Paper |
| 21 |
The Doerner: An artists’ manual, art technological reference, and international long-seller
Kathrin Kinseher*, Yao Erchang
|
Art Technological Source Research |
2021 Beijing |
Paper |
| 22 |
Antibody assay to characterize binding media in paint
Joy Mazurek*, Michael Schilling, Giacomo Chiari, Arlen Heginbotham
|
Scientific research |
2008 New Delhi |
Paper |
| 23 |
Max Pechstein’s "Sommer in den Dünen": Joint research on the intended surface aesthetics
Fanny Weber*
|
Paintings |
2021 Beijing |
Paper |
| 24 |
One craft, many names: gilders, preparers, and polychrome painters in the 15th and 16th centuries
Jilleen Nadolny*
|
Art Technological Source Research |
2008 New Delhi |
Paper |
| 25 |
Questions of color: A technical study into Franz Marc’s masterpiece Grazing Horses IV (The Red Horses)
Andrea von Hedenström*, Lucy Cooper, Katherine Eremin, Claire Grech, Teresa Hensick, Narayan_Khandekar, Richard Newman, Kate Smith
|
Paintings |
2017 Copenhagen |
Paper |