| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Zur Restaurierung von zwei grossen, vielgestaltiegen Kunstwerken
K.W. Bachmann*
|
Polychromed Sculpture |
1972 Madrid |
Paper |
| 2 |
Modern Methods of Documentation for Conservation: Photogrammetric Evaluation of Historic Images
Gunnar Siedler *, Sebastian Vetter
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 3 |
Color negatives at the demise of silver halides
Rudolf Gschwind*, Erwin Zbinden, Giorgio Trumpy and John Delaney
|
Photographic Materials |
2017 Copenhagen |
Paper |
| 4 |
Developing strategies for the preservation of film collections – Integrating NIRS analysis as a part of the process
Thea Winther*, Agnes Blüher,Dirk Lichtblau,Joakim Andersson
|
Photographic Materials |
2021 Beijing |
Paper |
| 5 |
Untersuchengen zur Maltechnik Lucas Cranachs an der Nothelfer-Tafel in Torgau
Not assigned*
|
Not assigned |
1972 Madrid |
Paper |
| 6 |
Carl August Steinheil's pioneering daguerreotypes: Non-destructive investigation of his production and processing methods
Marisa Pamplona*, Élia Roldão, Clarimma Sessa, Cornelia Kemp, Eva Mariasole Angelin, Marisa Pamplona, Martin Jürgens
|
Photographic Materials |
2023 Valencia |
Paper |
| 7 |
The Conservation of Painted Photographs
Klaus B. Hendriks*, Sebastian Dobrusskin
|
Photographic Records |
1990 Dresden |
Paper |
| 8 |
Light matters: Photographic material related to Vilhelm Hammershøi and his circle
Anna Vila*, Annette R. Hvidt,Birgit V. Hansen,David Buti,Gertrud Oelsner
|
Photographic Materials |
2021 Beijing |
Paper |
| 9 |
Trial and error: a replica to replace a damaged component in a work by László Moholy-Nagy
Friederike Waentig*
|
Art Technological Source Research |
2019 Cologne |
Paper |