| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Condition survey and preservation strategies at the Danish Film Archive
Jesper Stub Johnsen*, Karin Bonde Johansen
|
Photographic Records |
2002 Rio de Janeiro |
Paper |
| 2 |
Developing strategies for the preservation of film collections – Integrating NIRS analysis as a part of the process
Thea Winther*, Agnes Blüher,Dirk Lichtblau,Joakim Andersson
|
Photographic Materials |
2021 Beijing |
Paper |
| 3 |
Effects of solvents on the physical properties of paint films
David Erhardt*, Charles S. Tumosa, Jennifer Millard, Marion F. Mecklenburg
|
Paintings I: Conservation and restoration of paintings |
1999 Lyon |
Paper |
| 4 |
Investigation of ATR–FTIR spectroscopy as an alternative to the Water-Leach free acidity test for cellulose acetate-based film
Yvonne Shashoua*, Karin Bonde Johansen
|
Photographic Records |
2005 The Hague |
Paper |
| 5 |
Thinking outside the box: Local and sustainable solutions for photographic enclosures in Lebanon
Rachel Tabet*
|
Photographic Materials |
2023 Valencia |
Paper |
| 6 |
The Effects of Solvents on Artificially Aged Egg Tempera Films
Alan Phenix*, Narayan Khandekar, Julia Sharp
|
Not assigned |
1993 Washington DC |
Poster |
| 7 |
New approaches for monitoring dye fading in chromogenic reversal films: UV-Vis spectrophotometry and digitisation
Joana Silva*, César António Tonicha Laia, António Jorge Parola, Joana Lia Ferreira, Bertrand Lavédrine, Ana Maria Ramos
|
Photographic Materials |
2017 Copenhagen |
Paper |
| 8 |
Suivi de la dégradation des films en triacétate de cellulose par analyse thermogravi-métrique
Martine Leroy*, Martine Gillet, Bertrand Lavédrine
|
Not assigned |
1999 Lyon |
Poster |
| 9 |
Colour change in red lead-containing paint films
David Saunders*
|
Paintings 2: Scientific Study |
2002 Rio de Janeiro |
Paper |
| 10 |
Swelling of paint films in organic solvents and other liquids
Alan Phenix*
|
Not assigned |
1999 Lyon |
Poster |
| 11 |
A preliminary study into the swelling behaviour of artists’ acrylic emulsion paint films.
Bronwyn Ormsby*
|
Modern Materials and Contemporary Art |
2011 Lisbon |
Paper |
| 12 |
The use of oxide films to protect monumental copper and bronze sculpture from atmospheric corrosion
M.K. Kalish*
|
Metals |
1978 Zagreb |
Paper |
| 13 |
The components of oil paint films extracted by organic solvents
Ken Sutherland*, Nobuko Shibayama
|
Paintings I: Conservation and restoration of paintings |
1999 Lyon |
Paper |
| 14 |
Accessioning and documentation of Pretty much every film and video work from about 1992 until now
Stephanie de Roemer*, Tarn Brown
|
Modern Materials and Contemporary Art |
2017 Copenhagen |
Paper |
| 15 |
Application of polymer films removing surface contaminations from sculptures made of different materials
E.A. Mel'nikova*, M.N. Lebel
|
Stone |
1978 Zagreb |
Paper |
| 16 |
Characteristics of lacquer coating films extracted from 'Gluta usitata' before and after UV irradiation
Reo Kurashima*, Noriko Hayakawa
|
Wood, Furniture, and Lacquer |
2021 Beijing |
Poster |
| 17 |
An evaluation of artists’ and conservation varnishes for acrylic emulsion paint films
Bronwyn Ormsby*
|
Paintings |
2011 Lisbon |
Paper |
| 18 |
A preliminary investigation into the effect of self-adhesive ultraviolet-absorbing films on window glass
Sarah Staniforth*, Geoff Allen, Leon Black, Keith Hallam, Janet Berry
|
Glass, Ceramics, and Related Materials |
1999 Lyon |
Paper |
| 19 |
The whitening of oil paint films containing bone black
Annelies van Loon*, Jaap Boon
|
Paintings |
2005 The Hague |
Paper |
| 20 |
PROPRIÉTÉS ANTI-U.V. DES FILMS DE SÉCURITÉ
Jean-Jacques EZRATI*, Marie-Odile KLEITZ
|
Lighting and Climate Control |
1987 Sydney |
Paper |
| 21 |
Acetic Acid and Paper Alkaline Reserve: Assessment of a Practical Situation in Film Preservation
Jean-Louis Bigourdan*, Peter Z. Adelstein, James M. Reilly
|
Photographic records |
1996 Edinburgh |
Paper |
| 22 |
Infrared colour films as an auxiliary tool for the investigation of paintings
M. Matteini*, A. Moles, P. Tiano
|
New Applications of Methods of Examination |
1978 Zagreb |
Paper |
| 23 |
Sustaining digital film and video art at the Museum of Modern Art
Amy Brost*
|
Modern Materials and Contemporary Art |
2023 Valencia |
Paper |
| 24 |
The Role of Stone Substrate in Oil Paint Film Stability. An Insight Into Some Issues Influencing Durability and Conservation
Elena Aguado-Guardiola *, Laura Fuster-López
|
Sculpture, Polychromy, and Architectural Decoration |
2013 Tomar |
Paper |
| 25 |
Stress-strain behavior of gelatin, sturgeon glue, and methylcellulose at fluctuating relative humidity
Karolina Soppa*, Stefan Zumbühl
|
Paintings |
2023 Valencia |
Paper |