| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
The history of 'Denkmalpflege' from the middle ages till about 1800
W. Goetz*
|
Theory and History of Restoration |
1975 Venice |
Paper |
| 2 |
Zur Restaurierung von zwei grossen, vielgestaltiegen Kunstwerken
K.W. Bachmann*
|
Polychromed Sculpture |
1972 Madrid |
Paper |
| 3 |
Varnish technology during the 17th and 18th centuries: The introduction of shellac for wood coatings
Stefan Zumbühl*, Christophe Zindel
|
Art Technological Source Research |
2023 Valencia |
Paper |
| 4 |
A Basic Bibliography of Conservation
H.C. von Imhoff*, R.L. Feller
|
Not assigned |
1978 Zagreb |
Paper |
| 5 |
Johann Evangelist Holzer's ceiling painting in the pilgrimage church of St. Antony, Garmisch-Partenkirchen
Jiirgen Pursche*
|
Mural paintings, mosaics and rock art |
1999 Lyon |
Paper |
| 6 |
Controlled air-drying of archaeological antler: A comparison between untreated, polyethylene glycol 400 and glycerol-treated antler finds from Swiss lakeside settlements
Nikola Laura Will*, Stefanie Bruhin, Andrea Funck, Erwin Hildbrand, Katharina Schmidt-Ott
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Paper |
| 7 |
Stucco and its polychromy: historical and technical sources and principles of examination and restoration
Manfred Koller*
|
Murals Paintings and Mosaics |
1978 Zagreb |
Paper |
| 8 |
Theorie und Geschichte der Restaurierung
Heinz Althöfer*
|
Theory and History of Restoration |
1975 Venice |
Paper |
| 9 |
Old finds need new methods? Issues in conserving wet chrome-tanned leather
Tracy Niepold*, Britt Nowak-Böck;Dorothea Albert;Helmut Voß
|
Wet Organic Archaeological Materials |
2023 Mainz |
Poster |
| 10 |
Archaeobark identification, conservation and interpretation of linden bark vessels
Giovanna Di Pietro*, Johanna Klügl, Ingrid Stelzner, Harald Stäuble, Oliver Nelle, Ülrich Veit, Sebastian Million, Jorg Stelzner, Kathrin Krüger
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Poster |
| 11 |
Modern Methods of Documentation for Conservation: Photogrammetric Evaluation of Historic Images
Gunnar Siedler *, Sebastian Vetter
|
Wood, Furniture, Lacquer |
2016 Potsdam |
Paper |
| 12 |
Lime sinter layers on waterlogged wood—A removal option
Jörg Hägele-Masnick*
|
Wet Organic Archaeological Materials |
2025 Göteborg |
Poster |
| 13 |
Conservation of two Neolithic wickerwork wells: a case study
Ingrid Stelzner*, Jörg Stelzner;Michael Sietz
|
Wet Organic Archaeological Materials |
2023 Mainz |
Paper |
| 14 |
Special Scientific-Restoration and Production studios of the Main Architectural-Planning Administration, Executive Committee, Leningrad City Soviet
D.A Bodik*
|
Not assigned |
1972 Madrid |
Paper |
| 15 |
Altar-pieces in Austrian Baroque: working organization, stretchers and climate protections - history and actual consequences for conservation work
Manfred Koller*
|
Polychromed Sculpture |
1975 Venice |
Paper |
| 16 |
The first wheels go round again
I. Wiesner *, J. Stelzner, S. Million, K. Kuhnt, K. Bott
|
Wet Organic Archaeological Materials |
2013 Istanbul |
Paper |
| 17 |
Non-destructive assessment of conserved archaeological wood using computed tomography
Ingrid Stelzner*, Damian Gwerder,Joerg Stelzner,Jorge Martinez-Garcia,Markus Egg,Markus Wittkoepper,Philipp Schuetz,Waldemar Muskalla
|
Wet Organic Archaeological Materials |
2021 Beijing |
Paper |
| 18 |
THE RESTORATION OF BRONZE MONUMENTS IN GERMANY
Josef Riederer*
|
Metals |
1984 Copenhagen |
Paper |
| 19 |
Comparative studies in polychromy: medieval architecture and other sculptures (the Courtyard - chapel in Vienna)
Manfred Koller*, Maria Ranacher
|
Polychromed Sculpture |
1978 Zagreb |
Paper |
| 20 |
The KUR (conservation and restoration) project - a comparison of different methods to preserve waterlogged 134 wood
M. Wittköpper *, W. Muskalla, S. Brahter, A. Le Boedec-Moesgard, S. Gebhardt, S. Klonk, C. Andre´, K. Schmidt-Ott. W. Smith
|
Wet Organic Archaeological Materials |
2013 Istanbul |
Paper |
| 21 |
The Development of a Conservation and Restoration Methodology for Embossed Leather Wall Coverings and Their Installation in Three Exhibition Rooms at Moritzburg Castle Introducing the Temporary Exhibition "Changing Rooms – Gilded Leather at Moritzburg Cas
Gabriele Hilsky*, Margitta Hensel
|
Leather and Related Materials |
2019 Paris |
Paper |
| 22 |
Opto-technical monitoring and hygrothermal simulation of cultural heritage as a tool for identifying critical climate change-related relative humidity values inside buildings
Kristina Holl*, Leander Pallas, Martin Krus, Paul Bellendorf, Thomas Löther
|
Preventive Conservation |
2023 Valencia |
Paper |
| 23 |
Aspects of wall-painting in polychrome architecture: relations between Italy and Austria from the 15th to the 19th centuries
Manfred Koller*
|
Mural Paintings |
1975 Venice |
Paper |
| 24 |
Extraction of iron compounds from archaeological wood – results and experiences from the Vasa Museum
G. Almkvist *, S. Norbakhsh, I. Persson, M. Sahlstedt, E. Hocker
|
Wet Organic Archaeological Materials |
2013 Istanbul |
Paper |
| 25 |
Stone Conservation with Silicate Esters
Josef Riederer*
|
Not assigned |
1972 Madrid |
Paper |