| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Acoustic Emission Techniques for the Detection and Monitoring of Corrosion Phenomena
Laura Brambilla*, Alejandro Roda-Buch, Brice Chalançon, Stefano Mischler
|
Metal |
2022 Helsinki |
Poster |
| 2 |
Diagnostic and monitoring of historical vehicles’ engines by means of acoustic emission
Laura Brambilla*, Alejandro Roda-Buch, Guillaume Rapp, Brice Chalançon
|
Metals |
2019 Neuchâtel |
Poster |
| 3 |
Caring for collections during armed conflict: the National Museum of Afghanistan
Joanna Cook*, John Greenwood
|
Task Force on Public Engagement in Conservation |
2008 New Delhi |
Paper |
| 4 |
MICROSCOPIC EXAMINATION OF WORKS OF ART ON PAPER DURING TREATMENT, IN ORDER TO DETERMINE THE EFFECTS OF TREATMENT METHODS ON FIBERS AND PIGMENTS - A joint American-Romanian Research Project
Ingrid Rose*, Yvonne Efremov, Mihai Lupu
|
Graphic and Photographic Documents |
1987 Sydney |
Paper |
| 5 |
How do pigment recipes demonstrate their author’s technical and artistic know-how? Brazilwood colour recipes from the twelfth to fifteenth centuries
Anne Servais*
|
Art Technological Source Research |
2022 Paris |
Paper |
| 6 |
Salvage and restoration of gilt leather wall hangings from Löwenburg castle, Kassel, Germany, 2013 - 2022
Jana Bösenberg*, Anna Siegel
|
Leather and Related Materials |
2022 The Netherlands |
Paper |
| 7 |
Microscopic Examination of Works of Art on Paper during Solvent Treatments in Order to Determine Their Effects on Fibers and Pigments-A Joint American-Romanian Research Project
Ingrid R. Rose*, Yvonne Efremov, Mihai Lupu
|
Graphic Documents |
1993 Washington DC |
Paper |
| 8 |
A Multi-analytical Approach to the Characterization of Vegetable-tanned Leather
Marianne Odlyha*, Angelica Bartoletti, Stephen Hudziak, Alexandra Bridarolli, Manfred Anders, David Thickett, Piero Baglioni, Rodorico Giorgi, David Chelazzi, Laurent Bozec
|
Leather and Related Materials |
2019 Paris |
Paper |
| 9 |
Conservation and its role: the Nazi looting machine and the Goering collection
Morwenna Blewett*
|
Theory and History of Conservation |
2008 New Delhi |
Paper |
| 10 |
NIR/Chemometrics approach to characterisation of historical paper and surveying of paper-based collections
Matija Strlic*, May Cassar, Jana Kolar, Dirk Lichtblau, Manfred Anders, Tanja Trafela, Linda Cséfalvayová, Gerrit de Bruin, Barry Knight, Graham Martin, Jonas Palm, Nikša Selmani, Mads Chr. Christensen
|
Graphic Documents |
2008 New Delhi |
Paper |
| 11 |
Restauration d'une toile de Lucio Fontana endommagée par une lacération
S. Bjarnhof*
|
20th Century Paintings |
1978 Zagreb |
Paper |
| 12 |
Theorie und Geschichte der Restaurierung
Heinz Althöfer*
|
Theory and History of Restoration |
1975 Venice |
Paper |
| 13 |
Potencial efecto biocida de Lupinus mutabilis Sweet ‘tarwi’ (Fabaceae) en la conservación de bienes culturales
Rosanna Kuon*, Silvia Agüero, Eliana Quispitupac
|
Preventive Conservation |
2002 Rio de Janeiro |
Paper |
| 14 |
Observation and analysis of Zwischgold on late medieval sculptures
Qing Wu*, Benjamin Watts,Erwin Hildbrand,Frithjof Nolting,Katharina Schmidt-Ott,Peter Wyer,Rainer Fink,Tiziana Lombardo,Vera Hubert
|
Scientific Research |
2021 Beijing |
Paper |
| 15 |
Protein identification in artworks by peptide mass fingerprinting
Daniel Kirby*
|
Scientific Research |
2011 Lisbon |
Paper |
| 16 |
Parallel Progress in Restoration and Archaeology: Discovery and Restoration of Monumental Painting and Sculpture on a Loess Ground
B.J. Stavisky *, N.N. Zhukova
|
Theory and History of Restoration |
1993 Washington DC |
Paper |
| 17 |
The Courier Experience
Shelley G. Sturman*, Judy L. Ozone
|
Care of Works of Art in Transit |
1990 Dresden |
Paper |
| 18 |
Investigations and diagnosis on archaeological metal artifacts using LIBS technique for in-situ campaigns
Monica Simileanu*
|
Scientific Research |
2011 Lisbon |
Poster |
| 19 |
Cracks as Curiosity: Replicating the Production of Historic Spiral-Crack-Glasses Based on Source Texts
Schüch, Marian *, Eggert, Gerhard
|
Glass and Ceramics |
2019 London |
Paper |
| 20 |
Black spots on bronzes and elemental sulphur
Gerhard Eggert*, Ute Sobottka-Braun
|
Metals |
1999 Lyon |
Paper |
| 21 |
The Impact of Disodium EDTA on Stone
Andrew Thorn*
|
Stone |
1993 Washington DC |
Paper |
| 22 |
Plasma reactions in the conservation of antiquities
V.D. Daniels*, L. Holland, M.W. Pascoe
|
Metals |
1978 Zagreb |
Paper |
| 23 |
HINTERGLASMALEREI/REVERSE PAINTING ON GLASS IN 18TH AND 19TH CENTURY SOUTHERN GERMANY - RECONSTRUCTION OF 6 ''HINTERGLAS'' TECHNIQUES
Marianne Dupont*, Kathrin Hinrichs
|
Easel Paintings on Rigid Support |
1987 Sydney |
Paper |
| 24 |
Zur Restaurierung von zwei grossen, vielgestaltiegen Kunstwerken
K.W. Bachmann*
|
Polychromed Sculpture |
1972 Madrid |
Paper |
| 25 |
A new methodology or wet conservation treatments of graphic art on paper with a rigid polysaccharide gel of Gellan Gum
silvia sotgiu*
|
Graphic Documents |
2011 Lisbon |
Paper |