| # |
Title |
Authors |
Working Group |
Venue/Year Presented |
Paper/poster |
| 1 |
"History is my material" - Anselm Kiefer |
Christina Young*, Amy Griffin, Tom Hale |
Paintings |
Melbourne 2014 |
Paper |
| 2 |
'Like with like’: A comparison of natural and synthetic stitching threads used in textile conservation |
Sarah Benson*, Frances Lennard, Margaret J. Smith |
Textiles |
Melbourne 2014 |
Paper |
| 3 |
[Un:]Reasonable – broadening acceptable climate parameters for furniture on open display |
Boris Pretzel* |
Preventive Conservation |
Melbourne 2014 |
Paper |
| 4 |
‘Common platform’ courses promote conservation |
Elizabeth E Peacock* |
Education and Training in Conservation |
Melbourne 2014 |
Poster |
| 5 |
‘Less slick and not so clever’ The matt aesthetic and the art of E. Phillips Fox (1865-1915) |
Catherine Nunn* |
Paintings |
Melbourne 2014 |
Paper |
| 6 |
‘Reducing risks to cultural heritage’: Analysis of a course metamorphosis. |
catherine antomarchi* |
Education and Training in Conservation |
Melbourne 2014 |
Paper |
| 7 |
“Evaluation of nanotechnology for conservation of historical buildings: application of TiO2 nano-particle as a self-cleaning and antimicrobial coating material to surface of calcareous stone” |
sayed mansour*, Amani abd el Hafez., Yasunori Matsuda |
Murals, Stone, and Rock Art |
Melbourne 2014 |
Poster |
| 8 |
“I try to keep surfaces as anonymous as possible”. Conservation issues in Richard Serra's monumental paintstick drawings on canvas. |
Meta Chavannes*, Hannie Diependaal, henk van keulen, Louise Wijnberg, Marc Bongaarts, Margje Leeuwestein, Suzan Catucci-de Groot |
Modern Materials and Contemporary Art |
Melbourne 2014 |
Paper |
| 9 |
“It felt a little like being let into a secret– “ A community-influenced museum exhibition on Technical Art History |
Jorgen Wadum*, A.H. Christensen, B.A. Larsen, F. Knap, H. Tempest |
Education and Training in Conservation |
Melbourne 2014 |
Poster |
| 10 |
“Shipwreck Conservation Centre and Studio Warehouse in Tczew – construction of a cultural infrastructure branch of The Polish Maritime Museum in Gdańsk.” |
Katarzyna Schaefer*, Irena Jagielska, Irena Rodzik, Malgorzata Kowalska |
Education and Training in Conservation |
Melbourne 2014 |
Poster |
| 11 |
“Treatment of air dried archaeological wool textiles from waterlogged environment”. |
Annemette Bruselius Scharff* |
Wet Organic Archaeological Materials |
Melbourne 2014 |
Paper |
| 12 |
300 years of decay revealed by Synchrotron analysis of the de Vlamingh 1697 pewter plate |
Ian MacLeod*, David Thurrowgood, Gwynneth Pohl |
Metals |
Melbourne 2014 |
Paper |
| 13 |
3D in focus microscopy of paintings using a Hirox 8700 digital microscope mounted on a MOPAS mobile XY stand system. |
Jaap Boon*, Emilien Leonardt |
Paintings |
Melbourne 2014 |
Poster |
| 14 |
3D-Coform: Advancing the State of the Art in 3D Documentation for Conservation and Restoration |
Ruven Pillay* |
Documentation |
Melbourne 2014 |
Poster |
| 15 |
50 years of synthetic adhesives in the Rijksmuseum |
Suzan Meijer* |
Textiles |
Melbourne 2014 |
Paper |
| 16 |
A 15th century Flemish 'Closed Garden' in cuir bouilli. Production, Degradation and Conservation Issues of a small painted Leather Panel. |
Lieve Watteeuw*, Marina Van Bos |
Leather and Related Materials |
Melbourne 2014 |
Paper |
| 17 |
A complete study of early 20th century oil-based enamel paints: integrating industrial technical literature and analytical data. |
Maria Kokkori*, Francesca Casadio, Jaap Boon |
Art Technological Source Research |
Melbourne 2014 |
Paper |
| 18 |
A Conservation Encounter with Modern Balinese Art |
Siew Wah Lee*, Tay Jam Meng |
Graphic Documents |
Melbourne 2014 |
Poster |
| 19 |
A cross-cultural investigation into practitioner decisions and public perceptions of cleaning metal objects in the UK and Qatar |
Stavroula Golfomitsou*, Jill Saunders |
Metals |
Melbourne 2014 |
Poster |
| 20 |
A fully preserved red and white Iron Age dress - excavation, stabilization and engaging the local community |
Lise Raeder Knudsen*, Anne-Kathrine Kjerulff, Louis Lange Wollesen |
Textiles |
Melbourne 2014 |
Paper |
| 21 |
A Landscape of Survival: Preservation of the Archaeological Heritage in the Border Area between Azerbaijan and Armenia |
Maruchi Yoshida*, Andrea Ricci, PD Dr. Barbara Helwing |
Preventive Conservation |
Melbourne 2014 |
Paper |
| 22 |
A microfading study of Mark Rothko’s materials for the Seagram murals (1958-59) |
Joyce Townsend*, Bronwyn Ormsby, Patricia Smithen, Rachel Barker |
Modern Materials and Contemporary Art |
Melbourne 2014 |
Poster |
| 23 |
A new beginning for English Heritage’s archaeological and architectural stored collections |
david thickett*, amber xavier rowe, bethan stanley, charlie newman, martin allfrey |
Preventive Conservation |
Melbourne 2014 |
Paper |
| 24 |
A New Three Legged Stool: Research and Educational Ventures Between the Frans Hals Museum, Stichting Restauratie Atelier Limburg, and Washington and Lee University |
Erich Uffelman*, Femke van der Knaap, Herman van Putten, Jessica Roeders, Jorinde Koenen, Julia van den Burg, Kate Seymour, Liesbeth Abraham, Mireille te Marvelde, René Hoppenbrouwers, Samuel Florescu |
Education and Training in Conservation |
Melbourne 2014 |
Paper |
| 25 |
A phenomenological atlas of degradation of cadmium yellow oil paint in paintings by Piet Mondrian |
Laura Kolkena* |
Paintings |
Melbourne 2014 |
Poster |