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  • “As much as is necessary for the harmony of the picture not to be disturbed”: The materials and methods used during the 1945–47 treatment of 'The Night Watch' by Rembrandt
  • Esther van Duijn
  • -
  • Theory, History, and Ethics of Conservation
  • Paper
  • -
  • English
  • 2021 Beijing
  • Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021
  • 978-2-491997-14-4
  • ICOM-CC

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ICOM-CC_2021_Beijing_078.pdf
Esther van Duijn; . “As much as is necessary for the harmony of the picture not to be disturbed”: The materials and methods used during the 1945–47 treatment of 'The Night Watch' by Rembrandt. In Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021, pg. Paris: International Council of Museums (ICOM-CC): ISBN: 978-2-491997-14-4

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